Monday, April 30, 2012

We're in the Middle of a Worldwide Animation Renaissance, Particularly in the West

For the First Time in Ten or Twenty YEARS, at least a decade or two, I'm as content with the American animation market as I am with the European and Southeast Asian Animation Market. There are enough European and Asian Art Directors and Animators and Storyboard Artists and Character Designers working in New York and Los Angeles and Atlanta that if you work in an American studios, in some ways it feels just as international as working in a French or Korean or Japanese studio. The detail level of American television animation is at an all time high with certain shows. And while I may still move to Paris at some point to pursue comics in the French market, as a Moebius-like pioneer of comics and animation with my own studio in either France or America, I'll still spend a lot of time in America, and I'll also live in America much of the time too. I'm happy living and working just about anywhere nowadays. As long as I'm WORKING, it doesn't MATTER where. HAPPY! TECHNOLOGY! ART! DETAIL! YEAH!!!!

I'm not stressed like I was in the past, and that fact has LIBERATED and FREED me.

Code Monkey get up get coffee. Code Monkey go to job....Code Monkey have boring meeting, with boring manager Rob.

NOMAINWIN
PROMPT "What is your name?"; name$
NOTICE name$ + "? That's not a very good name."
END

There, Done

Finished applying for a credit card. Dammit, I wanna gamble!

Sunday, April 29, 2012

New Video

Psychology Wisdom of the Brain teaches us we always see our parents in the ones we love essentially....

No wonder I love my girlfriend so much. She reminded me of my Mom, who as I grew up would always defend me and love me unconditionally.

It teaches us a valuable lesson. We don't fear the people who we think love us, we fear the ones who we think hate and want to destroy us. This One Truth manifests itself in everything we see before us.

If you're parents treat you well, or one of your parents treat you well at least, everything good we see will remind us of the ones who were always good to us, if anybody was. Some people, the unfortunate ones, don't feel loved by anybody. And they are the ones who need the MOST love, not the most hatred.

Why thank you. I accept this Nobel Peace Prize on behalf of my adoptive mom.

Relationships are an important thing in business and life....

Business are started on relationships, not by one person. I didn't realize that growing up. Now I do. The power of teamwork is powerful indeed. No matter how powerful you are, you can become more powerful in a group.

Lovers, friends. These are the main people who can help you out who aren't your sibling or direct family. Meaning, you can borrow money from them in some instances, get gifts from them, give them gifts. And they give great advice.

Relationships are great for business. Groups of people are great for business. If you don't HAVE any friends, find some online in a trusted place online. Somewhere you trust. Use your intuition. It pays in the long run.

Saturday, April 28, 2012

And So, Without Further Ado. I BRING TO YOU....

THE MOST MASCULINE, MANLY COSTUME DESIGNS IN THE FUCKING GAY ASS WORLD!!!!! YAAAAAHHHHHH!!!!!!!!!!!!!!!!!!!


Now BULLSHIT-FREE!!!!


Awww. Yeah. Duality Nikka.

Two great things that go great together:

  • Peanut Butter & Chocolate
  • Hip hop & Metal
  • Rap & Rock
  • Movies-TV & Comics
  • Comics & Animation
  • TV-Radio & Internet
  • Indie Comics & Manga
  • Hip-Hop & Anime
  • Acting & Music
  • Sports & Celebrity
  • Hong-Kong & Tokyo
  • Florida & California
  • New York & New Jersey
  • Asians & Blacks
  • White & America
  • Animation & Asia
  • Jazz & Prog Rock
  • Books & Film
  • Martial Arts & Film
  • Martial Arts & Music/Acting

You Feelin' This?
Duality nikka

BOOK OF NOTE

THIS BOOK...would not seem all that out of the ordinary in and of itself....

UNLESS you count the fact....

that it's ranked at #35 on the Amazon Manga Bestseller List.

THAT MANY PEOPLE want a job like mine??

THAT IS SO COOL!!! ha!

They should do a revised edition specifically about Manga and Anime Reviewing Online...

IN SCOTT MCCLOUD UNDERSTANDING COMICS FORM!

Now THAT...would be awesome.

Comics: Prehistoric Middle School Pages (Some of my earliest cartooning work) Before I "Sold Out and went all detailed"

Okay, I don't know who knows about this early stuff I did, but I used to draw really, REALLY humorously and cartoonishly, and there was a time when I wanted to emulate shows like Jeff Smith's Bone, Tiny Toon Adventures and Fox Kids in my comics, and wanted to be the next Jeff Smith, back in the middle of the 90s when I was in Middle School. I don't remember whether I drew these pages in 98 or 93. Beats me. So long ago it was. I used to NEVER strive for realism. That was when I NEVER felt pressure about drawing! The good old days. These layouts are simple, but there's a reason for that. Though at the time, when I was a kid still, I mostly drew to please my friends and family. I had a desire to get published even when I was 13 (when I drew these, before the Detail Era), but I do recall mostly drawing them to please myself. This was simply the way people drew in America back then...in the 90s era. 

The premise of this ancient comic book work, you ask?

Simple. I called it ZOUNDS!, inspired by the Calvin and Hobbes Spaceman Spiff sequences Calvin had. ZOUNDS! Is the protagonist. A stiff browed Alien who happened to wear a kilt every day in his time off. As a job he worked for the FBI (an alien), and he would hang out at the barber shot with his friend, the wise talking robot, florkie (always spelt with a lowercase "f") who has super reachy and wrap around eye sockets, arms, and legs (that's his power, to stretch his appendages). The Dynamic Duo, the Two Heroes of this cartoon world, Zounds and florkie would fight against the Evil ruler, Pumpkinhead, and his lacky, mechanical builder and semi-evil genius, Dunce, a gnomish looking fellow.

HA HA! Had a BLAST with that series. If it were animated today it would probably having timing like Family Guy and Spongebob. Yes, I too used to draw like that, I'm not ashamed. Even back then, when my style was cartoonish and simple as all FUCK, I still placed an emphasis on cartooning action and adventure, even if it WAS cartoony. I am very violent.






Friday, April 27, 2012

Puppy in My Pocket and other beautiful things.....

How am I supposed to compete with people with reputations as squeaky clean as the cast and crew of Puppy in my Pocket.

All I've got is anger and imagery you can't actually show on television. How am I supposed to compete wit Puppies. Awwww! Puppies!

"I want a puppy to looooove
It's straight from above"

I'm a total homo. Can't help it. I gotta big heart sortsa.

Yeah, you could get famous and go the "rich and respectable" Safe-Assed Hollywood route, go all Tom Cruise on us....

Or you could just do the easy thing and up and join a Vampire Cult of the White, Pink, and Damned to Hell, like I did back in Summer of 69'. You'll get all teh sex u can handle! YEah baby! Heh. Oh yeah, and surviving the whole thing. But that's never a guarantee.

P.S. - Thanks for watchin back then everybody! You all make a good audience for that sort of sick and twisted thing! You guys are teh BEST!!

My 0 Person Audience of 400,000 people online

My stats counters have always and will always say 0. Nice trick...

But I'm well aware 95% of my audience is comprised of something I like to call "Trojan Traffic"

Look it up...

"Denzel Crocker" was RIGHT....HE IS history and over with. And I'm not...

I'm never talking about him publicly again, probably, even when he finally dies. Because he's OVER WITH. No one cares about him anymore. His ultimate paranoid fear was that the world would "see him as a fool". And it does. Mission Accomplished. Period. I put a stop to him, and that's that.

Dick Clark, 1929-2012 RIP [Gone but not Forgotten]

'Tis the End of an American Institution.

I always liked watching the New Year Celebration, right until even the final year. He held the fort down like a REAL trooper. I'm gonna miss him.

How timely. It's like he held on till the very year people said things would "Change in a Big Way". I say that in my very best Mooninite voice.

Next Month, Kids!

Come May, I'll be receiving small payments on a regular basis, almost daily.

While this might not seem like a big deal on the surface, it's a big deal to me, even if it's only a little bit of money regularly. Why? It shifts the balance! Instead of only being able to afford things because I'm paid at the beginning and end of each month, I'll probably be able to buy books, DVDs, and other things on a more consistent regular basis, meaning I can do reviews and things of old and new products I buy more often in this blog here. You heard me. MORE REVIEWS! If it interests me enough. Knowing me, it probably will...And we all know how my buying habits (if the public knows about them) sway things. Or at least, I do...BIG SMILEY FACE.

FORMULATING EQUATIONS! [don't do] The Math....

As a business person or entrepreneur, I know firsthand how tempting it is to keep score on and tabulate everything involving your career. How many people you're influencing. How wide your influence is. How many people know who you are, what you're up to and what you're about. But if you're not a journalist, and you value your mental heatlh, take my advice. Don't. Don't do ANY of that crap. If you really want to Rise Above, you've got to do the opposite, which is put all your energy and focus on YOUR work, not anyone else's, and just have faith that things will work in your favor and let the pieces fall where they may. I used to be all for sitting back and counting figures and tabulating various forms and measures of success. But the more I did that, the more the opposite happened. It caused me to STAGNATE. The energies of the universe only work for you if your entire BEING is aligned up with the energies of the universe. Meaning, you can't just want to do one thing and think another. If you want to do one thing, you're entire BEING must become that thing. Only when you are focused on your task in mind, body, and being, on ALL levels, will you EVER truly be at peace with the goals you set for yourself. It's a Zen thing.

Being in an empty house?...Definitely makes a difference....

It's nice working in a big, empty house. I seem to shift into FULL-ON MULTITASKING WORK MODE, when left alone.

All the better, I suppose....At least, for me.

For the time being, I'm all too aware of my "status" as every nimrod's favorite punching bag. But there ARE benefits that go with such a job. How could there not be? Being on the map (as an effigy and punching bag) is still BEING ON THE MAP.

I think people would be shocked if they realized I wasn't as dumb (or) lazy as I looked on the surface. Well, I know better than to buy into that B.S., and since I'm RUNNING AN ENTIRE HOUSE BY MYSELF, SINGLEHANDEDLY Currently (and probably temporarily), it doesn't make a difference to me.

You know, responsibility isn't all that bad. You should try it sometime, y'know, if you haven't already of course.

ESSAY: WHAT IS ANIME? An existentialist Essay

What is anime?

• A style.
• A genre and a Medium
• A region-based form of animation and animation production
• An art form
• Animation made in Japan
How do we figure out how to define anime? By “The Famous Look”? By The Production Method? By Where’s It’s Located and Produced? By the nationality and ethnicity of the staff, artists, and creators who make it


Well, we know anime is a very REAL thing. A very profitable, aesthetically appealing, complex, and entertaining thing. But can it be so narrowly (or in some instances, broadly) defined, simply due to how popular it is and has become?

Technically speaking, pretty much all anime is rooted in 2 Things (there are others but here’s some): Japanese technique, and co-production. All anime, by nature is transnational and collaborative, and is therefore a more traditional form of what industry vets and industry fans refer to as “co-production”. A production done in two separate locations (for instance, a title can have production done in Tokyo, but the dubbing of what Americans see is done in Los Angeles, California.

There is a danger in defining anime too narrowly, as that can lead to an exclusionary attitude among diehard fans.

But there is also a danger of defining anime too broadly as well, which could potentially, in the worst case scenario, lead to any and all animation eventually being qualified as “anime” which just isn’t the case.

I believe the solution lies somewhere in the middle.
But one of the main things about defining anime, one question we all must ask ourselves and everyone else about anime, is the big one: WHO, if anyone, gets to DEFINE anime? Certainly there is no limit to how many people have partaken in this discussion? I would say something like “Only the Japanese and Japan can define anime!” but that’s not right either, seeing as part of what gave anime its general definition to begin with (other than Wikipedia, and including on Wikipedia, king of definition) has be vocal online American fans to begin with, from day one. So Americans (even if it’s “only” in articles in the press, websites, and message board forums) have come to give anime just as much definition as it’s Japanese production companies, at least in terms of PR power and thought influence. So why are we so picky about who gets to make it, but not who gets to define it? Wouldn’t that be a little hypocritical, theoretically speaking? Would it not?

If there’s anything I’ve learned from observing otaku and anime and anime production industry, community, and culture, it is the fact that just like the production of Japanese anime needs to be defined collectively, by gauging majority opinion. No one person should define WHAT anime is, no matter how highly opinionated they are. If there’s one thing I learned from online, it’s the power of collective collaboration. Defining anime shouldn’t be a product of rogue cultural, business, media, internet, or fan opinion. If there’s ever going to be an agreed upon definition and meaning of anime, it needs to be a team effort. EVERYONE should agree on it. Include most fans and industry people in an extensive, FRIENDLY, and thoughtful, but also analytical debate (NOT ignorantly hostile) debate, and there MAY one day be a collective consensus of what exactly anime is and what qualifies as anime.

Work Status Update: ESSAY WORK and SKETCHING....

Hi dear readers!

Busy as a bee lately. Been doing some browsing on various trade magazine-esque sites for research, Twitter viewing and reading to check on some of my favorite peeps.

As for my workload, I'm hoping to do some more sketches, which probably won't get scanned or posted at all today (takes too much time), but that might get made. I already did SOME drawing, but am hoping to do more.

At the top of my priority is is to do something anime-industry related. And at the top of my list is an essay I'm going to be drafting later today.

The topic?

                                                       Defining Anime.

Yes, that will probably be the title.

I feel this issue is important, seeing as how much industry veterans argue about it online right alongside publishing companies, Japanese artists, studios, and distributors, networks, and the fans. I'm no stranger to essays. I've written over 100 essays in the past, usually about purely philosophical things like Change and  Brotherhood. Writing essays for career subjects like anime is brand new territory for me. I look forward to writing it, just like I look forward to writing everything else I write.

In terms of my writing online, I break my writing work up into segments. If it's not a big deal to me, like a tweet, or random short blog entry for instance, I'll write it as a post to my message board post, twitter account, or Blog, On The Spot (OTS).

If something that I write is more planned or structured, like a story, journal offline, script for spec TV animation or comics, an online review for AnimeTV, or speculative fiction, I'll put a considerable amount of work into a pre-production process. Like an artists does preliminary sketches, for my writing I write preliminary drafts, to get a good feel of the content and form of my writing. I don't have a set word count quota for the day. I write however much I need to most of the time. When you've written over a million words in your lifetime like I have offline, you can afford to take such luxuries.

THE END/
To Be Continued...

Thoughts on Fame and Success in Animation, Anime, and Comics...

If you count how people are treated at conventions, and convention media, the fame of being a creator, in comics and animation (what with you're every behavior and move being observed by hundreds or in some cases, even thousands, of people and analyzed on a physical and psychological level, at least, at conventions for anime and comics), the treatment of public figures in anime isn't that different than the treatment of hyper-famous celebrity actors and musicians in Hollywood or any other cultural place. It can either be euphoric or terrifying. At public events, the treatment of creators, artists, producers, voice actors, and directors is the same way. For me, it's been both, it's been happy AND scary.

I'm SO HAPPY I CAN'T STAND IT!!!!!

I'm going to cry, I think.

TODAY, I GAVE BIRTH TO


BRAND NEW IDEAS!!!!!!!!!!!!!!!!!!

YES!!!!

GENIUS!!!!

SOME OF MY BEST YET!!!!

EUREKA!!!!!

Can't talk about them publicly yet though, cuz of competition. But they do sound promising, to say the least. Best thing I've come up with since my most famous projects.

Thursday, April 26, 2012

Wednesday, April 25, 2012

Fear Not Kiddies, there's some Good Shit Comin Down the Line!

I've been sitting back and sort fo keeping a low profile online, but I can't resist the urge to write about what exactly it is I'm looking forward to on TV in 2012, that hasn't already premiered between 2011 & 2012 (Korra, Monsuno, DB GT remix, Thundercats, Redakai)

There's some amazing stuff coming in 2012. Here's my list of awesome stuff YOU should watch out for in 2012, in TV animation:

Motorcity (Disney XD)
Tron: Uprising (Disney XD)
Black Dynamite (Adult Swim)
Dragonball Hoshi (Probably [New Toonami? wishful thinking?] or Nicktoons

but most importantly, the potential return of Toonami, which CN and Adult Swim is in fact considering in all reality and seriousness, so get back to tweeting #BringBackToonami

Visually, these shows look better than a lot of stuff on TV, and they look to have amazing timing, design, and general movement composition, whether they're anime or not. For once, I'm actually happy with upcoming stuff on TV. I wasn't certain there for a while. But then again it ain't 2012 for nuthin'!

Tuesday, April 24, 2012

Folk Wisdoms about Television Animation

Whether you want to work in animation or some aspect of co-pros and dubbing of anime, if you want to work in TV animation of any mainstream level, the number one folk wisdom most industry insiders will tell you (whether you approve of it or not) is, sooner or later, you've got to live in or near Los Angeles. I for one procrastinate about this advice, mostly because I'm broke. But if you have MONEY saved up to pay for travel expenses, let me say right now, even though I'm a member of one of the youngest generations of auteurs, even I can acknowledge this as good advice. Los Angeles is where animation gets made for the most part, with CN and FUNimation being two of the extremely rare counter-examples. Here's how it breaks down. You can MOVE TO Los Angeles and GET WORK (if you actual bother looking for it and making an effort in that area) OR you can stay right where your at and pace around your house like I do wondering to yourself "Hmm. Why is it so difficult to find work in this small two-bit town." I may not be doing the former thing and instead, do the latter thing, but at least I'm aware of it. At least I'm aware of how the politics and system are set up to begin with..You see, I was reading the latest issue of Animation Magazine (longtime reader of this publication), and was reading the 25 Year Anniversary Issue, celebrating the last 25 years of animation, where it listed the 25 most influential American shows of the last 25 years. And while, yes, all the shows on the list just about are different, and the face of animation is changing, one thing that isn't changing is where the majority of American animation on TV gets produced and made: One Place for the most part: Los Angeles. So there's your answer.

Monday, April 23, 2012

For the most part, I only watch dubs, never stuff with Japanese voices.

Japanese voice actors are annoying sounding as fuck. English dub voice actors are not most of the time. And at least I can understand what's being said in English for Godsake.

The thing is, I discovered anime in the beginning by only hearing anime on TV with English voices, on TV, shows like Cowboy Bebop, Wolf's Rain, Gundam, Sailor Moon, and DBZ. Even the most annoying North American voice actor isn't HALF as annoying as a Japanese animation actor. Subtitles is not what got me into anime. It never has been and it never will  be. I'm not some dumb college kid whose cultural values are screwed up and is too arrogant to like English animation. I LIKE hearing English voices in anime. As a matter of fact, that's ALL I want to hear from now on: English ADR. Get on that English ADR studios! Don't be fooled by anime nerds: those brats are WRONG. English is better.

Sunday, April 22, 2012

Current Wage: $4-a-day

Pretty much. Not much but at least I'm getting semi daily payments for something...Actually, technically, starting next month I'll be getting paid $8 every OTHER day, instead of a lump sum of $120 at the beginning of each month (and nothing else for the rest of the month, which is how it was). So not as much waiting to buy books, DVDs, CDs, art supplies, food and whatnot.

Well, considering that I've created a MACHINE of ANONYMITY around myself I can't seem to get out of or walk away from....

I can't help but wonder what exactly will happen to the industry if I DO die? I predict it won't happen for a while so I probably don't have to worry about it now, but if I end up homeless because I can no longer support myself with money, and I'm on the streets or dead and will never touch a computer again because I'll be homeless or dead, and incapable of choosing an actual successor or replacement, and since hardly anyone who was close to me was aware of the MACHINE of a MEDIA EMPIRE I WAS RUNNING ALL ON MY LONESOME, in a shitty run down ghetto bedroom where no one close to me knew what I was up to during that time, wouldn't that be the equivalent of a popular TV Network going off the air and just showing dead airtime for YEARS to come, until someone discovered my network (or the fact that I founded and ran the network, and in secret no less)? Yeah, far as I know it kind of is like that. If I died, because of the disassociation of my web persona and "secret superhero identity", when I die, if things are like they are now, the public might not even be made aware of my death and it would be unreported until years, perhaps even decades later.

I'm okay with this situation, I'm dead, right? What do I have to worry about. But where does that leave the fans anyway? Not that they really gave a shit about me to begin with, right? So why even bother telling them? Yeah, screw it ALL. What do I care? I'm dead.

Me N' AnimeTV

Far as I know, that project doesn't really associate with me anymore.

Why, you ask?

Simple. They're a dubbing company. They specialize in employing voice actors and dubbing artists. I create webcomics. From the beginning, our interests and goals were kind of divided and different. I don't have anything against them. They treated me well when I DID work with them, but it wouldn't really make sense for me to continue collaborating with a dubbing company if I'm a writer-artist author. Strikes me as me being more than a little out of place there.

Saturday, April 21, 2012

First End Times Published One-Shot....Is Complete

Though I can think of millions of ways of improving the artwork and actual execution, I have indeed finished my first published comic book one-shot. Just got a copy of the End Times one-shot back from the printers today. It's 20 pages long, 6 1/2" x 10 1/2" and everything.

The story feels more like cartooning, with limited amounts of panels for each mini-segment or scene, but yeah, 20 pages of artwork that is completely End Times and Completely my own.

I had to wait a long time to see myself reach this point. Took me over a decade to learn single page full page illustrations aren't comic book art, but instead only sequential art is. But once I made the distinction between art and sequential art, getting to this point was a lot easier. Not as much fretting about not finishing. Becuase now my first official attempt is finished.

Friday, April 20, 2012

The Literary "Calendar Chronicle" Creating a Narrative Through Long Spans of Time

I wouldn’t be drawing as much and as frequently and consistently as I do if I didn’t see a correlation between images and literature. If I’m going to be an actual artist, which I sort of am, there must be some redeeming value that I’m able to see in visual concepts, be it props or anatomy and costume design: a.k.a. Literary Graphics—Graphic Literature. I am an author of not only words and story structure, but also of images and graphics as a literary device used to further a narrative-based, literary agenda. I have to stay with what I’m comfortable with: And that is literature and a daily literary graphic record and daily documentation, for both my career and personal, private life (a sketchbook and journal); documentation of daily pencil and ink mileage throughout the passage and unfolding of time, in sequence in the form of a growing, increasing, and ever expanding literary-graphic mosaic chronicle. In this case, it’s the life story of  Mono Jubei of New-Earth, the world I designed

I call the sketchbook morning pages a “Calendar Chronicle” Narrative. As in you’re counting the days as they go by while building a narrative with each passing day I mark off the calendar. I’m chronicling each day of work as it goes by, and watching the vast volume of pages of art and literature stack up and collect in a stack of papers, and eventually a bound, printed book collection over time. It’s a day-by-day Literary Chronicle and Collection of image and words. By this logic, the narrative can’t help but be epic and long, with a fat manuscript every time. It’s daily work and raw fortitude or perseverance over many years.

[according to my counter, 24 peeps who AREN'T me saw diz post]

The Narration of My Life Story, As Narrated By Me....

Chapter 184, of the Literary Narrative of My Life, is Complete.

So There.

[To Be Continued...]

Thursday, April 19, 2012

Mono Art: April 2012 Edition


Number 1 Ways to Make A Phat Stack ah Money Online that Google and Twitter Don't Want You To Know About...

  1. Being compensated by Adsense clicks that show up on the Google search results of your own namesake (NOT The same thing as Adsense for Search.)
  2. Enabling Adsense compensation on your general YouTube CHANNEL (NOT individual videos)
  3. Adsense Ads on your Twitter-Feed.
These are all potential ways to make a lot of money online, But Twitter and Google are scared of listening to me on these subjects as they Fear having to dip into their BILLION dollar bank accounts to pay what is obviously less-famous users (like moi) chump change compared to how much they make each day.

Google and Twitter. What more is there to say? Clearly not very big fans of the whole "Fair Compensation Revenue-Sharing Business Model" thing.

Tuesday, April 17, 2012

"Disc-To-Digital"? Awesome!

Disc-to-Digital transfer sounds awesome. Now make a WEBSITE that does that through a data website from my own house (IN STEAD OF WAL EFFING MART) and I'll be a loyal customer forever. I got so many DVDs I want to put onto some form of online account. Hopefully this service will be available online, and hopefully sooner and not later.

My 2 cents

P.S. - If you want my Prediction on the future of high tech stuff yet again (the famed prophecy) I foresee PC hardward, PC Software, home electronics equipment, and compatible website this side of Vudu pretty much duplicating this "patented" technology and putting out the exact same thing making this technology more accessible to all within the next 3 to 20 years. That's a good thing. WalMart can really only hoard such tech from competitors for so long. Just like I can only hold onto my own tech ideas for so long before someone else makes money at it without consulting me in any way whatsoever.

Sunday, April 15, 2012

Right Brain - Left Brain ; Artist - Writer

I know a lot about writing.
& I know a lot about drawing
But can I combine the 2 Fields?



But do I know how to balance and inter-mingle the two pursuits?

I’m 50% Left-Brain (Writer), 50% Right Brain (Artist)

I don’t write and draw at the same time. That’s impossible to do. You can only do writing and drawing at separate times. It’s impossible to write while you draw, at the same time.

Being a Creator-Writer-Artist is the task of a multi-talent, a polymath.

Working in mediums like comics and animation is one big excuse to indulge my multi-talent approach to narration, narrative, story, and storytelling.

What about the internet? How much of it is Right-Brained, and how much is Left-Brained?

When you’re doing two separate lines of work (art and literature), you’re actually doing the work of integrating the workload of 2 separate people, which in many ways is more difficult, other than maybe the fact that the 50/50 split of creativity takes place on two separate side, and takes up less time for each side, as a psychological response to the increased workload.
I’ve done good art and good writing.

I’ve filled books, and I’ve filled sketchbooks. I’m not lacking in productivity. I’m lacking in the other 50% of my talent spectrum, the raw drafting, and compositional chops of my artwork.
I’ve published books of my art, and I’ve published books of my writing, but I have yet to publish a successful meeting of the two. The true power of my Caetextia.

I’m aware creators like Jhonen Vasquez, Rob Schrab, Frank Miller, Todd McFarlane, Tezuka Osamu, Katsuhiro Otomo, Moebius, and Aaron McGruder have all told stories tied together with art and words, and some have even done projects with nothing but words on their behalf, in a collaboration with artists.

But I’m pretty certain I’m one of the first to divide the two aspects of my creative mind so extensively, doing thousands of pages of both, for each side (drawing and writing), but always keeping them segregated for the most part, which isn’t too different than how Hollywood or the literary publishing industry works. Other than magazines and comics, the two forms of expression, art and writing, often are segregated out of a paranoid fear of confusing the reading and viewing public. (please see: Scott McCloud’s book, Understanding Comics, for further explanation of Right-Left Brain Divisiveness in print, film, and broadcast media.)

Manga Creators in the United States, and the 10,000 Hour - 10 Year Rule, and Why it Applies

Getting good at any craft, sport, skill, or art, no matter how difficult it is, whether it's drawing or writing, takes time to develop your skills in, if you're serious about it.

If you want to "automatically" and "quickly" get good at drawing manga, and you're just starting, draw manga for the next 10 years, REGARDLESS of its popularity.

The new buzz theory in science and pop psychology is the 10,000 hour rule, meaning, to practice something for years on end and master it takes a decade, 10 years, of 3 hours of work a day, for 10 years straight and very few, if any breaks.

Think very hard. Are you willing to invest 10 years of your life drawing comics. If not, throw in the towell now and walk away. Take up knitting, or at the very least, writing in a journal instead, because almost no one masters any skill in less than 10 years. However much you pursue it after that is your call.

So, see you in 2022, a Decade from Now, when we're living in an alternate reality than the one we live in now? Yeah, I thought so.

Manga and Ethnicity

How well you draw manga is essentially tied to just how Asian you actually are, in spirit and consciousness, if nothing else. Drawing manga must be some kind of divine test, that makes you ask yourself, “How Asian am I?”. Metaphorically, if not literally.

The market is so overcrowded and high-pressure now.

It’s enough to almost make a guy not wanna draw comics at all, and not even BOTHER…Why even bother trying to compete. It's just gonna get lost in the internet and TV shuffle. Why even bother. Well, I don't quit at what I set out to do, but if I wanted to really quit it certainly wouldn't be that hard

Drake & Josh, the New Episodes, Rated TV-MA

Here's an outline for a new script I'm writing as the newest staff writer on the new season of Drake and Josh! I love that show so much. It was an "honor" getting to write for TeenNick. It really was...Here's a preview....the outline for one scene in its entirety. Gotta love it!

* Josh pulls out a knife from behind his back


* Josh digs the knife into Drake's chest

* The knife is now lodged in Drake's chest

* Blood pours and squirts out of Drake's newly stabbed chest

* Drake doesn't die, and turns into a Zombie

* Drake ties Josh up and proceeds to rape Josh up his fat ass with a knife, sticking the blade into Josh's asshole. Ouch

* Josh's rectum is bleeding out onto the flood, as he then ends up lying in a pool of blood.

* Drake grabs a shotgun from his dad and mom. Hey Dad and Mom, he says. Watch me shoot Josh!

* He then fires of 46 rounds into various parts of Josh, until he is a raped, bullet ridden corpse.

Saturday, April 14, 2012

Favorite Writers List

Favorite Writers and Authors and Screenwriters
  • Quentin Tarantino 
  • Aaron McGruder
  • George Lucas
  • Jhonen Vasquez
  • Seth MacFarlane
  • Katsuhiro Otomo
  • M. Night Shyamalan
  • Evan Dorkin
  • Neil Gaiman
  • Scott McCloud
  • Roger Ebert
  • J.K. Rowling 
  • Stephen King 
  • Homer 
  • Dante
  • John Woo
  • Dave Sim
  • Genndy Tartakovsky  
  • Frank Miller 
  • Yoshiyuki Tomino
  • Brian Michael Bendis
  • Todd McFarlane
  • Bram Stoker
  • Tom Clancy
  • Mark Twain
  • Ernest Hemingway
  • Ayn Rand
  • The Dalai Lama
  • John Steinbeck
  • Michael Moorcock
  • Robert E. Howard
  • Arthur C. Clarke
  • Philip K. Dick
  • Jack Kerouac
  • HP Lovecraft
  • Dan Brown
  • Anne Rice
  • Joyce Carol Oates
  • JRR Tolkien
  • Roald Dahl
  • Marilyn Manson
  • Lewis Carol
  • Johnny Cash
  • Isaac Asimov

These are a few of my Favorite Things. I just remember my favorite things, then I don't feel...so bad. Shhh. Let's just keep this between YOU and ME...


All right. I LOVE getting hand-me-down gun literature! I also love bullies!

So young, so stupid, so vile and venomous, so stupid, so begging for death.

Ho hum.

I won't talk maliciously about my penis and sex life if YOU don't! I won't tell if you won't! Or shoot you for the hell of it maybe. My penis is actually a .45 in real life. Bullets come out. Not children. 

Dey Locked me up der inna mental hospital, mmm-hmmm



--------------------------^------------------------------------------------

Hey budday. Nice negro afro. Mind if I borrow it. mmm-hmmm.

Friday, April 13, 2012

Comic Book & Animation Mentors

Maybe I'll become a mentor or teacher when I'm older. There aren't enough of those. Especially Comics and Cartooning Mentors.

When I was in my adolescence, I had my very own personal animation mentor, a guy named Phil who has professional 90s cable TV animation work experience at networks like MTV and Nickelodeon. He was my private teacher/mentor in animation for a long time. He was a generous, caring, funny, confident, and compassionate man who was incredibly passionate and enthusiastic about animation, working, and teaching people like me animation and especially drawing and art. I don't know if I'd be as good as I am today if I hadn't of had an older father-like figures guidance such as his in my early years.

Kids need training. It sucks that there AREN'T more teachers, coaches, and mentors in academic fields. With the internet, it's sort of complicated things. The internet was still struggling when Phil was coaching and teaching me animation, that was 2000.


Thursday, April 12, 2012

O.M....G!! Rough day at the office? Yes? Wanna rest? Yes? DON'T. IT'S NOT OVER. (Pregnancy scare)

Whew. That was a close call.

My dad called me no the phone.

I picked up the phone, home alone, holdin' down the fort for my family. I had been at war with my neighbors earlier that evening.

"Jay?"
"Yeah?"
"Hi, how are you?"
"Been Better. What's up?"
"Yeah. ****** (sister in law)'s not answering her phone. I've been waiting for her for an hour and a half or so. Forty five minutes or so. I'm not that worried but I'm starting to."
"Really?? Why??"
"Well, since she can't come to the phone, she hasn't called me, and I don't know where she is. I think she might be delivering."
"Oh...Well, what should I do?? Should I do anything?
"No that's all right. But ******, our father to be, IS away in Ft. Lauderdale. You okay?"
"Yeah yeah. I'm fine. I'm trying to keep calm."
"Me too"

He was unaware of this "situation" at the time.

At that point I tried not to panic.

Got another call back 5 minutes later.

"Jay. Son?"
"Yeah?"
"Turns out she's NOT having her baby...yet."

Man. Being an Uncle twice over is stressful...Dodged THAT bullet.

LET'S MAKE SOME FRIENDS.....

.....48 hours laters. Back from going postal.

Okay, so we can rule out the INTERNET and the local NEIGHBORHOOD as a place to make friends....hmmmm. Where to look

So I was thinking about driving.....




You know....FOR FUN. It would be easy to do right about now. I don't normally have the opportunity to just go cruisin'. Eh, I'll drive later. I'll leave that for some other day...


BACK BY POPULAR DEMAND!






DEEEEEEEEEEEEEEEEEEERP

New Webcomics

RANDOM...THINGS pg.1 NO.W. A.VAIL.A.BL.E

Wednesday, April 11, 2012

Cartooning Talk, "Do the Math" - "This Time: It's Epic"

Let’s do a little compare and contrast...
Dave Sim, when he was young, began experimenting with drugs in his early years, at the age of 23, specifically with LSD in particular, which resulted in his being hospitalized in a psychiatric ward right around the same age. His stay in the hospital and his experience taking LSD inspired him to later go on to produce the ongoing, but ultimately finite series, Cerebus the Aardvark, which was 300 issues long. The Cerebus project of 300 issues and 6,000 pages of story (not counting all his pre-production sketch and notebooks) and artwork took Sim roughly around 27 years to complete.

I’m 28. Since I’m starting work on a literary Odyssey this year, in 2012, by the time I’m finished with it, if I invest the same amount of momentum Dave Sim, the irony of my potential success would be that I’d complete the same time span of work (27 years) at exactly the age of 55, 27 years from now, in the year 2067. That’s the exact age my biological father died of emphysema at, according to his death certificate. So I’d literally be working nonstop from now, this year till my dying year and day, for the sake of completing a book. But clearly it would not be an ordinary book. I would be inventing a whole new way of making comics and animation, and independent comics, and webcomics, and graphic novels, and cartooning, and storytelling, and graphic fiction. I don’t know if I want to finish my greatest work on the exact same year as my death. But 55 is apparently the magic number here, or at least double numbers are.

Parallax is not a mere comic book. It’s so much more of an investment than that for me. It’s a life project. An Epic Journey and Quest, with a beginning, middle, and end, which could very well span 27 years, to the very year of my own death potentially. Not intentionally so. Even if that does end up being the case it would not have been an intentional move for timing to be so life and death like that. But that just further proves that creativity storytelling is my Pathway to God. It’s my Pathway to Destiny. It goes beyond life and death. Not intentionally, But I’m so devoted to my work it almost feels like it’s turning into life and death. Cerebus to me is an unspeakably impressive achievement, one that is hard to trivialize, especially with the older and more historic Dave Sim’s achievement in comics gets. I have an almost religious devotion to the creative and narrative work ethic of Dave Sim: Unpopular with fans, but silently powerful.

Tuesday, April 10, 2012

It's time for the first Round of My New World Culture Analysis Game: "Are They Compatible??": Tonight's Edition: Britain and Japan

Britain and Japan: Are They Compatible? - America World Edition.

Britain and Japan, two very different, very historic and old cultures, in some ways as different as night and day, but not completely.

Let's look at their socieites: Both emphasize honor and chivalry. And both respect the past and admire the old to a degree.

Imports:

Britain: Music, TV, literature, art, publishing, religion.

Japan: Martial Arts, animation, comics, food, cinema and film, technology and electronics, car manufacturing.

Do the Japanese and British get along? Well considering I've never seen a British person and a Japanese person in the same place, you kinda of gotta wonder.

Friends or Foes? Not necessarily either. Both countries exist on the same land, but the connection between the continents of Europe and Asia is about as "tightly knit" as the connection between the landmass of Canada and America. They're technically both the same continent like Japan and Britain in Eurasia, but there is a world of difference between the two socially.

Either way, if you ask me it breaks down to historic geographic tribalism between different races and nations and continents and geographic cultures. It's geographic tribalism. And that is why no one makes any "A Beatle and a Buddhist Monk walk into a bar" jokes. I'm skeptical as to whether people are even aware of these things in our society.

Monday, April 9, 2012

Social Life

Not too busy lately. Just hanging out in my house, alone, for the day/week. Been trading emails with Joey Manley of Webcomics Nation, trying to figure out my resurrected account, and StonerGoth187 of the ASMB. Yeah, I tend to send email inquiries and talks when I get bored. Being alone is great!

Saturday, April 7, 2012

Achting

When you’re me, when you’re an on-screen Actor: You have to be willing to let them truly think that’s you. That’s what all actors must learn to accept. I’m no exception.

Friday, April 6, 2012

Actually, I'm NOT talented. I'm MULTI-TALENTED.

And like most multi-talented individuals, I have trouble focusing on any one area of study and practice for more than an hour or two at a time.

The world has yet to familiarize itself with the true social and psychological nature of multi-talented people like myself, the Howard Hughes, Syd Meads, Todd McFarlanes, Frank Millers, and Katsuhiro Otomos of the world. When in "training" and when I was taking art lessons at one point at the age of 17 or so, I recieved what was pretty much just about the most horrible advice a multi-talented person or student can recieve from an art teacher, or any teacher in school for that matter. "Pick one thing and be good at it. Don't be a Jack of All Trades, Master of Nothing." If only I was dumb enough to fit that mold, I might be able to follow advice like that, but when you're multi-talented, you despise getting ANY and ALL advice that says only do one thing. Because multi-talented people know better than most (except maybe some pschologists and professionals), that when you're multi-talented, it's INCREDIBLY difficult to find a job, and basically IMPOSSIBLE to "just do one thing and be good at it". All my creative and intellectual heroes growing up (or at least a whole lot of them) were multi-talented, just like me. But they became famous because they found an outlet for their genius that was profitable, that was in tune with their multi-talents. NOT because they made themselves master just one thing.

The secret to succeeding in the art world....is to never quit.

You have to learn to not give up when you get hopeless, stressed, mocked, discouraged, dissed, intimidated, lazy, fatigued, tired, lonely, or insulted. Most artists have a difficult time with art. And most quit. Most artists who succeed are the ones who stick with it for their whole lives.

But never quit if you have aspirations to make it in the art world. That's not even an option if you actually want to succeed.

Just because you "can't find work" as an artist, or aren't being paid to draw, or just because someone doesn't like some or all of your art, is no reason to quit. It's okay to quit for the day, if you want to take the day. Just don't quit on the drawing lifestyle. You'll never succeed while your alive if you're a quitter. BAD! Very Bad! Never quit drawing entirely. Take breaks. Take hiatuses. But NEVER quit!

The good part about being an artist nowadays, is that no matter how lazy, bad, freakish, or untalented you think you and your work are, I guarantee you there are at least 20 other artists in this world somewhere who are at the same exact level. Mosts artists only think most of their work is mediocre. I assure you, whatever artistic level you're at is normal. There's no such thing as an "abnormal level of drawing". And therefore there's no abnormal level of productivity. If you're drawing, AT ALL, you are on the right path. The point should be productivity. Not finished drawings. Sure, finished, polished drawings are important, and they matter, but most artists do more bad work than good. Bad in your own mind is normal, in terms of art. Productive but mediocre in your own mind is the new artistic "normal" in my opinion. You don't "need to be proud of your work". You just need to keep working.

Art and Time Management: How many hours working? How much time spent on each drawing...?

On average, on the days I do spend an average amount of time drawing, my art workday lasts anywhere from 1 to 2 hours a day...

Upon timing myself with a stopwatch, most of my really good art takes 40 minutes to 1 hour per drawing to do...

Any more than that per day tends to exhaust, stress out, and fatigue me a bit, as I suffer from chronic fatigue, so I'm definitely not the hardest worker. I kind of doubt I have the physical requirements or capabilities to be the hardest worker in art. But I AM one of the most strategic.

Hey Hey! It's New Art Day!


Thursday, April 5, 2012

Anime WMV TV Episode Garage Sale

There IS a huge market in selling downloads of individual episodes of TV shows from you're WMV animation episode harddrive storage online, through sites like Payloads, if you know how to turn DVD episodes into video files by the downloadable boatload (like I do), but due to copyright laws might be kind of tricky. That is why studios really need to get on that whole "Amazon-On-Demand" style type thing. I don't think I'd have a problem with paying a dollar to download an episode of my favorite TV show to my harddrive

Wednesday, April 4, 2012

Remembering the Olden Times....

Been a while since I've drawn anything, with weapons, in my Trademark style for public display. So here ya go!....


Checks Deviantart 2 second later. Did I manifest the inspiration for that somehow?

awww Yea! Still a badass.

Awesome, Awesome....

Awesome, awesome...

Probably beneficial to me, if I do say so myself. So I ain't exactly complaining about that.

DISSING or slandering me online SHOULD be a crime. I'd LOVE to criminalize people who write slander, libel, and insults to me online. I'd LOVE to see that day arrive!

Oh boy, how I LOVE those amazing shows!

J: Yeah, but, aren't those shows kind of infamous enough to be the equivalent of if they did a modern day reality series promoting the Red Scare.

60 Year Old Father: They're WORSE, actually.

J: REALLY! And you're not even my age. That IS interesting....! I knew I wasn't the only one who hated that shit!

Father: Are you KIDDING me. It's GROSS. They're gross. That garbage is GROSS. It's SICK. SICK in the Head. It's TV for sadists, for sickos. That's who they're making it for.

J: Yeah. I call it "TV for sociopaths" People who enjoy inflicting pain and suffering onto other people entertainment. You've been around a long time. Has TV always been this sick and WRONG and bad.

Father: Hell no TV hasn't always been this sick. You never even used to  be allowed to show a kiss on TV, let alone suicide, murder, masturbation, fecal matter, and statutory rape....

J: Oh man. What a fall from Grace TV's done. And now they're losing all their money to the internet. So it's like they're being sickos in an attempt to steal money from the internet. Just sad. Very, very sad.

Father: Of COURSE it is. And that's why it's TV.

Tuesday, April 3, 2012

Ha! Selling something to a network or publisher? That's RICH....

I'd be surprised if they'd even bother to let me clean their office toilets as a JANITOR, let alone sell something as an author.

Earnings...

Well well well. Made a not so bad amount of $40 from book sales so far. Primarily from selling spare copies to my best friends and family who really like me. I'm not worried about the commercial book market. I'm perfectly happy only selling to friends and family. For now. Some people I know buying copies is still better than no one doing so. That's my advice to indie authors. Sell copies, in person to friends and family you know. If you know a lot of people (I only know some) you can make a decent amount that way.

Social Influence In International Territory

Apparently if a 13 y.o. Japanese girl writes of you're artwork online "It's horribly crappy", apparently they really think the opposite, that you're the greatest thing around. Why is this? Well, if we look up social influence, and its sub-chapter, "Culture" on our good friend Wiki, unlike American kids and teens, Japanese kids and teens belittle and show indifference towards that which they "know everyone else likes".

As the article says:

"Japan likewise has a collectivist culture and thus a higher propensity to conform; however, in a 1970 Asch-style study, it was found that, when alienated, Japanese students would be susceptible to anticonformity (given answers that were incorrect even when the group coincided on correct answers) one third of the time."

So in Japan, it's opposite day EVERY day? Wow! How totally good, er I mean HORRIBLY CRAPPY.

I suppose cybercommenting is no exception. Ah, the weirdness and deception that is Japanese psychology.

Yup. Harry Potter definitely has the "INTP Scorpio Look"

Dark short hair, glasses, kinda nerdy but powerful. Kind of like Bill Gates (who is another Scorpio other than myself with short hair and glasses), but with darker hair and thicker darker glasses. That's kind of my own look, too. It's mah brand!

Monday, April 2, 2012

Q: Any Advice For Artists With a Lot of Talent Who Want to Make a Living With Art?

A: Yeah, first and formost, WATCH YOUR BACK. There are a surprisingly high number of so-called "high profile" artists just waiting in limbo for a "random upstart" (at least in their view) to ram into and get into a high profile feud with, for the sake of promoting their comics and career with. You're probably best ignoring ALL OF THEM, and certainly don't devote time in your stories to them, as they thrive on negative publicity and negative reaction from others.

Daily Schedule

In terms of my daily schedule. I'm a bit of a 1-theme-or-motif-a-day man. I'll find 1 subject or area of study (short stories, architectural drawings, noir covers, rough action poses, sci-fi, density, scripts, journals), and will often only get excited in my studies by one or two major themes a day, and that will generally be all I draw, the only thing or subject matter I draw for that entire day, for a handful of newly created pages of art and/or writing for that day.

Today, for me, it was architecture buildings and drawings of buildings / downtown areas.

Sunday, April 1, 2012

April 1st, Midnight, Anime Excitement. A Day for History: Toonami: The [Adult Swim] Run

So with no marketing whatsoever, other than 2 single posts on Twitter from Steve Blum and Lance Heiskell themselves, Toonami hit the air again as an "April Fools Joke". But if it actually was an April Fools "Gag" What an Epic and Dramatic one it was. Absolute Appointment Television. They started off with Bleach, but then it got REAL serious when they started playing Vintage Toonami Shows like Dragonball Z, then Gundam Wing, then all the rest(!), all their most famous, iconic, and highest rated show, and that is when you knew it was on. That moment they announced the lineup of their old shows that WASN'T listed on the DVR DirecTV schedule was the moment when you KNEW it was gonna be a party, and not to leave the internet or your TV in your room. Very well one of the greatest surprises in Television Animation History. Easily one of the Top 5 Moments in Great Broadcasting in my Book. I'm glad I was able to post a handful of messages to their forums while it was happening, along with the 700 or so other people on the ASMB.

According to Wiki: "The shows, order aired, and episodes: Dragon Ball Z #191, Gundam Wing #10, Tenchi Muyo! Ryo-Ohki #19, Outlaw Star #25, Big O #1, Yu Yu Hakusho #110, Blue Submarine #6 #1, Trigun #23, the original Astro Boy #1, and Gigantor #1."

If nothing else, this proves Williams Street could still handle doing a new, or perhaps "new-ish" version of Toonami today or in the near future. It's left many asking if Toonami really is coming back to the airwaves, which in and of itself would indeed be a Miracle. Ah hell, it already WAS a Miracle seeing it as a "one time thing", but it would be an even more Epic thaumarturgy if it really actually was permanent. And I'm not the only one.

Steve Blum is on the side of the fans. He too hopes to one day see the return of a Toonami series, but even he doesn't seem to know whether the Toonami comeback has been temporary or permanent. Or does he? Hmmmm.

Yes, I know it's hard to believe this claim.
That's why YouTube and Toonami Digital Arsenal have Proof!


[Only Toonami]
[4.1.12]
[Adult Swim]