To think, all this time I've been drawing and writing in pure unconscious trance mode. I've been channeling lines, forms, and letters onto paper for over a decade. And as it turns out, I'm quite prolific at it. But some of my trance art can be very ugly though. Hardly anyone sees that last type...
Sunday, May 31, 2015
Fan Blogging for the Creator Day: Today's Blog was Written by a fan named Bob, a BIG J.M. Fan.....
So hi. I'm Bob. I'm a big fan, or may have I say WAS a big fan of J.M. Matthews, till I found out how much he HATES his fans.
I walked up to a table and on the otherside of it was a disheveled bum that hadn't changed his clothes or showered in 7 days. The SMELL COMING OFF OF THIS GUY was RANK. But DAMMIT I was looking to get a J.M. auto from JM, wherever he was, so I soldiered onward. This guy looked like a dishelved bum who hobbled into the convention area and somehow talked his way to the other side of the signing table. Cheater. To my shock, the editor sitting next to him said "Are you looking for JM? Yes, this is him" he informed me. I suddenly found myself overwhelmed by 2 things: His fecal smelling stench and my own dissapointment at this "hero of the people", this insipid hobo who claimed to be J.M.. He then extended his hand. Gimme something to sign, he said in a drunken tone. I am very drunk, let's get this over with, he muttered. The smell of fecal matter was quiickly chased away by the smell of urin as he began pissing his pants. Whoo doggy, Daddy needs a diaper change, JM muttered.
At this point I gave up on trying to meet my hero in this crowded place. Just keep your comic, J.M., you got pee and poop on it! Gross, I said as I ran towards the exit in fear.
Whatever you do, don't attend a JM Signing. He will soil your comic books....And his pants. All the legends are true-hew. Sob.
Friday, May 29, 2015
My workrate
On average, for my art, I go through around the rough equivalent of a
100 page sketchbook or two a month. So on average I draw 100 to 200 pages of
artwork a month.
Thursday, May 28, 2015
On Literary and Comic Book Prestige.
There are really only two type of writers and artists in the
professional field. Amateurs and Established Pros. Newcomers and Industry
veterans. The Will-Haves and the Have-Hads. The former group never gets any
fans, press, fame, money, royalties, recognition or appreciation, from critics,
fans, the media, press, or even their families, and especially not publishers.
They are Have-Hads in the making. Have-Hads are really only being recognized
and praised by fans and media because they did some random book or comic book series a long time ago, hardly
ever in the here and now other than a rare few who are the true workaholics.
Will-Haves Will Do The Work. Have Hads Have Done The Work. That's the key difference. It has nothing to
do with talent, hard work, laziness, morality, or charisma. It has to do with
"Did they finish a manuscript or not?". The press is shallow like
that. Unless you're a Have-Had who HAS written and drawn and finished a
manuscript nobody wants anything to do with you. It gets to the point of being
a little more than ridiculous, how shallow this measuring stick gets. There are
talented people on both sides. And Having tons of Talent is not the same as
finishing your work projects.
It is essentially the Literary Press and Financial Equivalent of The Haves and Have-Nots, the theory upon which this theory is inspired...
Tuesday, May 26, 2015
GOOD MORNIN' JAPAN!
Hooray. Happy Mailbag from JAPAN Day!
Hmm. I wonder what it is....
Opens it.....!
HOLY MOLY! LOG HORIZON ART BOOK! COOL UNTRANSLATED JAPAN STUFF. I LOVE THIS KIND OF THING
GOOD MORNIN JAPAN!!
Hmm. I wonder what it is....
Opens it.....!
HOLY MOLY! LOG HORIZON ART BOOK! COOL UNTRANSLATED JAPAN STUFF. I LOVE THIS KIND OF THING
GOOD MORNIN JAPAN!!
Sunday, May 24, 2015
The Wall to My Studio-Room...
Is covered in Image Board Storyboards currently, that's me planning out my next few comics-manga pages...
Hashtag #Busy,Busy,BUSY!
Hashtag #Busy,Busy,BUSY!
The Under-Structure and Grammar of Visual and Literary Narration and Storytelling.
To write a animation script,
comic book script, short stories, and novels...You need to write outlines
that organize the action and events, as a way of mapping everything out on
paper, not just your mind.
To draw comics, and
animation pre-production you need to produce a sequence of thumbnail and
storyboard, or thumbnail-storyboard panels and camera shots, draw in boxes no
bigger than a postage stamp or sticky note [to start off with].
This is how comics and
scripts and novels and fiction get made...
I've recently adapted
both these working models and they've literally transformed my productivity and
process. Suddenly drawing comics and writing fiction is fun again when I try these methodology
techniques.
-J.M.
Friday, May 22, 2015
Daily Artist Drawing Affirmation (For Tough Guys)
DAILY DRAWING AFFIRMATION
No
Matter What Happens. No Matter How Bad Life Gets or How Much Pain and
Discomfort Life Tosses At Me Daily, 24/7, I Will Pick Up That Sketchpad and
Piece of Paper and Draw Comics On It. It Doesn't Matter Whether I'm Redrawing
Shitty Comics Pages or Individual Panels, or The Best Abstract Designs and
Illustrations I've Ever Done, The Bottom Line Is I Keep Moving. I Keep Drawing
Comics, No Matter What, Under All Conditions And Circumstances, Regardless of
the Amount of Criticism, Hate, Mockery, Judgment, or Interference From The
Outside World, The Drawings Will Continue to Appear, Because I Am There To Make
It Happen No Matter What, In all Conditions, Good and Bad.
Sunday, May 17, 2015
Nah. Don't ask me about inventions or patents. I'm just a hobbyist. Ask Mark Trenner, my patent attorney.....
Speaking of famed
talents. I'm also an inventor, as the smart ones in the audience know (smirks).
But if I'm being really honest about my inventing abilities and power, they
primarily involved digital video
engineering, not clunky tech with obscure functionality, which is kind of what
people often think of when they think "inventor". Like a 1930s or
1800s inventor like Nikolai Tesla or Thomas Edison, and not software inventors
like Bill Gates and Anthony Wood. I'm the Bill Gates of Online Video. I'm the
latter tech inventor. I'm probably less knowledgeable about textbook science
(other than computer science and video-software engineering) than people think
I am. And no, I didn't invent a time machine. Not yet anyway. It's cool that
people have enough faith in me to think I could though.
Bedtime Story Kids
Gather round children, it is story time. I'm going to tell you the tell of a little JAPANESE artist hidden DEEP within the country of Japan. This artist was a complete racist who deep down HATED AMERICA, HATED FOREIGNERS, HATED JEWS, LIKED NAZISM, and HATED ALL ARTISTS WHO WEREN'T JAPANESE, ESPECIALLY ones who HE COPIED DESIGNS FROM IN SECRET.
I'm not for ruining reps and undeserved career stature, so I'll give him an obscure NICKNAME No one will ever figure out, even in Japan.
Let's call this artist....KITE TUBO.
Anyway, this guy was a HUGE "closet" anti semite, and foreigner hating racist. But he liked YOUNG ARTISTS WHO DREW EXACTLY LIKE HIM AS THOUGH THEY WERE HIS LONG LOST CHILDREN. OH DID HE LIKE CLONES!
Anyway, long story short, his show eventually got taken off TV and nearly EVERYONE forgot about him completely. And the Yakuza assassinated him for failing at his mission to help Yakuza gang, in its mission to infiltrate American Art and Media. They decapitated all his pet snakes and hung his skin on their wall. Such a sad sad fate for our manga-ka. DeviantART won't tell you about that part...
The End
Digital Media Law and the Use of "Others Likeness" You might want to sit down....
Using the Name or Likeness of Another
In most states, you can be sued for using someone else's name, likeness, or other personal attributes without permission for an exploitative purpose. Usually, people run into trouble in this area when they use someone's name or photograph in a commercial setting, such as in advertising or other promotional activities. But, some states also prohibit use of another person's identity for the user's own personal benefit, whether or not the purpose is strictly commercial. There are two distinct legal claims that potentially apply to these kinds of unauthorized uses: (1) invasion of privacy through misappropriation of name or likeness ("misappropriation"); and (2) violation of the right of publicity. (The "right of publicity" is the right of a person to control and make money from the commercial use of his or her identity.) Because of the similarities between misappropriation and right of publicity claims, courts and legal commentators often confuse them. We will not try to exhaustively explain the differences between these two legal claims here. It is mostly important for you to understand the legal principles that are common to both claims; we will point out relevant differences below and on the state pageswhen appropriate.
You might be familiar with the now-famous case of Alison Chang, which is a good example of a potentially unlawful use of someone's name or likeness. In September 2007, Chang's parents filed alawsuit in state court in Texas against Virgin Mobile Australia and Creative Commons. Virgin Mobile Australia obtained a photograph of Chang from Flickr, where is was posted with a CC "Attribution" license, which gave Virgin Mobile permission from a copyright perspective to use the photograph in a commercial setting so long as it gave attribution to the photographer who took the photo. (For information on copyright licensing, see Copyright Licenses and Transfers.) Virgin Mobile used the photograph in an advertising campaign to promote its free text messaging and other mobile services without getting permission from Chang or her parents to use her name or likeness. Chang's parents sued Virgin Mobile for misappropriation of her likeness, and the facts would also have supported a claim for violation of her right of publicity. They brought other claims against Creative Commons, which they dismissed shortly after filing the lawsuit. The case, which was subsequently dismissed for lack of personal jurisdiction over Virgin Mobile, is interesting because it highlights the fact that somebody seeking to use a photograph needs to worry not just about copyright law, but also misappropriation and rights of publicity.
The Chang case involved a clearly commercial use of her likeness. As a general matter, you should never use someone's name or photograph in advertising or promotion of your website or blog without permission. The same goes for creating merchandise that you plan to sell to the public which incorporates someone's name or photograph. With the limited exception for "incidental advertising use" discussed below, you need to get consent for commercial uses like these. But what about a casual reference to your neighbor in a blog post? Or what if you write an article about a local politician that features his photograph? Or what if you publish a photograph that you took of a famous actress walking down the red carpet at the Oscars? Fortunately, the law does not give individuals the right to stop all mention, discussion, or reporting on their lives or activities. The common law of most states creates an exception to liability for news reporting and commentary on matters of public interest, and many state statutes explicitly exempt news reporting and other expressive activities from liability. Despite these substantial protections, it is a good practice to obtain consent of the person depicted when you publish photographs or other personal information about someone on your blog, especially if your use might be construed as commercial or promotional.
In some states, celebrities cannot sue for misappropriation of name and likeness (on the theory that they have no privacy interest to protect), and non-celebrities may not sue for violation of the right of publicity (on the theory that their personalities have no commercial value). The growing trend, however, is to permit both celebrities and non-celebrities to sue for both misappropriation and violation of the right of publicity, as long as they can establish the relevant kind of harm.
You cannot invade the privacy of a dead person, so you generally cannot be sued for misappropriation of the name or likeness of a dead person, unless the misappropriation took place before the person in question died. However, in many states the right of publicity survives after death, so you could be sued for violating the publicity rights of a dead person. This is most likely to come up with dead celebrities.
The law protects other personal attributes or aspects of identity from unauthorized use as well. For example, courts have held that use of a celebrity's voice can violate the right of publicity. See, e.g.,Midler v. Ford Motor Co., 849 F.2d 460 (9th Cir. 1988). One court held a defendant liable for using the slogan "Here's Johnny" as a brand name for portable toilets because it sufficiently evoked Johnny Carson's identity. See Carson v. Here's Johnny Portable Toilets, Inc., 698 F.2d 831 (6th Cir. 1983). In other examples, courts have held defendants liable for using a photograph of the plaintiff's race car in a television commercial, see Motschenbacher v. R.J. Reynolds Tobacco Co., 498 F.2d 821 (9th Cir. 1974), and creating a commercial featuring a robot decked out to resemble Vanna White and posing next to a Wheel of Fortune game board, see White v. Samsung Elec. Am., Inc., 917 F.2d 1395 (9th Cir. 1992). In all of these cases, the common rationale was that the attribute in question was sufficient to identify the plaintiff and evoke their identity for the public.
Note also that the Supreme Court has recognized that state law may protect a celebrity's right of publicity in the content of his or her unique performance. In Zacchini v. Scripps-Howard Broadcasting Co., 433 U.S. 562 (1977), the Court held that Ohio could constitutionally recognize Hugo Zacchini's right of publicity in his "human canonball" performance.
Some state statutes limit liability to the unauthorized use of particular attributes. For example, the New York statute only covers "name, portrait, picture or voice," N.Y. Civ. Rights Law § 51, the California statute covers only "name, voice, signature, photograph, or likeness," Cal. Civ. Code § 3344(a), and the Massachusetts statute covers only "name, portrait, or picture," Mass. Gen. Laws ch. 214, § 3A. Depending on state law, relief for the use of a wider array of personal attributes may be available under the common law (i.e., judge-made law). See State Law: Right of Publicity and Misappropriation for details.
Exploitative Purpose: Right of Publicity
The right of publicity is the right of a person to control and make money from the commercial use of his or her identity. A plaintiff that sues you for interfering with that right generally must show that you used his or her name or likeness for a commercial purpose. This ordinarily means using the plaintiff's name or likeness in advertising or promoting your goods or services, or placing the plaintiff's name or likeness on or in products or services you sell to the public. Therefore, it is a bad idea to create an advertisement suggesting that a celebrity -- or anyone for that matter -- endorses your website or blog. It is equally unwise to use someone else's name as the title of your website or blog, especially if you host advertisements. You can be liable even without creating a false sense that the person in question endorses your product or service; the key is that you are exploiting the plaintiff's identity to drive traffic or obtain some other commercial benefit.
It may also be an exploitative commercial use to sell subscriptions to your site in return for access to content relating to a specific (usually famous) individual. For instance, one court held that a website operator violated Bret Michaels and Pamela Anderson's rights of publicity by providing website users access to a Michaels-Anderson sex video in return for a subscription fee. See Michaels v. Internet Entm't Group, 5 F. Supp.2d 823 (C.D. Cal. 1998). In another example, a court issued an injunction prohibiting a website operator from violating Paris Hilton's right of publicity by selling subscriptions to a website providing access to photographs of her and other private materials belonging to her. SeeHilton v. Persa, No. 07-cv-00667 (C.D. Cal. Feb. 20, 2007), and our database entry on the case for additional details.
Exploitative Purpose: Misappropriation of Name or Likeness
Most lawsuits claiming invasion of privacy through misappropriation of name or likeness also involve commercial uses of the plaintiff's identity, such as in advertising or promoting products or services. For example, one of the first cases to recognize a legal claim for misappropriation sprang out of the defendant's use of the plaintiff's photograph in an advertisement for life insurance. See Pavesich v. New England Life Ins. Co., 50 S.E. 68 (Ga. 1905). You also may be held liable for some non-commercialuses of someone's name or likeness if you exploit the plaintiff's identity for your own benefit.
For example, one court has held that an anti-abortion activist who registered domain names incorporating the names and nicknames of his ideological rivals had misappropriated their names for his own benefit. See Faegre & Benson, LLP v. Purdy, 367 F. Supp. 2d 1238 (D. Minn. 2005). The court also held that the defendant had committed misappropriation through a form of sock puppetry -- namely, he posted comments on his own bulletin board pretending to be lawyers from a law firm that fought for abortion rights; in these comments, he expressed opinions and views that were favorable to his own position that abortion is immoral. See Faegre & Benson, LLP v. Purdy, 447 F. Supp. 2d 1008 (D. Minn. 2006). In another case, a professor created non-commercial websites and email accounts containing portions of the names of several of his former colleagues. Using these email accounts, the professor then sent emails to a number of universities, pretending to nominate these former colleagues for university positions and directing readers back to his websites, which contained critical posts about the nominated individuals. When the University and his former colleagues sued, an Indiana state court found that he had committed misappropriation. The Supreme Court of Indiana affirmed the lower court's decision, holding that the professor had exploited the plaintiffs' names for his own benefit "in that [the misappropriation] enabled him to pursue a personal vendetta." Felsher v. Univ. of Evansville, 755 N.E.2d 589, 600 (Ind. 2001).
One court has held that posting a photograph of a real estate agent on a "gripe site" dedicated to criticizing him was not sufficiently exploitative to impose liability. The court reasoned that the defendant had not published the photo in order to "tak[e] advantage of [the real estate agent's] reputation, prestige, or other value associated with him, for purposes of publicity," but only "as a part of a declaration of his opinion." McMann v. Doe, No. 06-11825-JLT (D. Mass. Oct. 31, 2006).
As a general matter, then, it is a good idea to avoid impersonating other individuals on the Internet for political or even personal reasons, because that may be sufficiently exploitative to result in liability for misappropriation. On the other hand, simply using someone's name or likeness in the process of expressing your opinion is probably safe, especially given the exception for news and commentary discussed below.
When taking photographs or video of someone, you can use a model release form. Some examples of model releases can be found at the American Society of Media Photographers (model release for adult,model release for minor child, simplified model release, and pocket release), and the New York Institute of Photography. You can find additional samples by doing a basic Internet search for "model release." Note that you can choose between various types of model release, which are of varying complexity. You may be better off using one of the simpler forms, unless you are planning on using someone's name or likeness in advertising or an obviously commercial use. All of these sample releases need to be customized to your own particular circumstances and purposes. You should not use someone's photograph for a purpose or in a type of media not covered by the release because then the release will be ineffective.
For interviewing someone (with or without taking photographs), it is also good practice to obtain aninterview release form. This release can protect you against publication of private facts claims in addition to misappropriation and right of publicity claims. Some examples of interview releases can be found in Stanford's Copyright and Fair Use Guide, and at EmilioCorsetti.com and the University of Michigan Press. You can find additional samples by doing a basic Internet search for "interview release," and the book The Copyright Permission and Libel Handbook by Lloyd J. Jassin and Steven C. Schecter has two excellent examples. There are a number of different kinds of interview release forms; you will need to choose and customize one to suit your own purposes. As above, you should not use someone's name or likeness for a purpose or in a type of media not covered by the release.
If, instead, you obtain photographs for use on your website or blog from a publicly available source on the Internet, it may be more difficult to obtain the consent of the persons depicted in those photographs, especially if they are celebrities. In close cases, where you are not sure whether your proposed use is commercial or otherwise exploitative, or where you are unsure whether your use fits within the protection for "news and commentary" (see below), you should do your best to obtain consent. If you cannot get it, then you should consider using a different image. When using photographs that you did not personally take, you need to worry about copyright law in addition to name or likeness issues. Getting permission from the person depicted in the photograph only stops a claim for misappropriation or violation of the right of publicity. You also need to get copyright permission from the person who took the photograph (or whoever owns the copyright). For details on getting permission to use a copyrighted work, see Copyright Licenses and Transfers.
Children cannot consent on their own behalf. When using the name or likeness of a minor (generally someone under the age of eighteen), you should seek consent from the minor's parent. Some of the example release forms linked to above are geared toward getting the consent of minors. Keep in mind that people giving you consent can revoke (i.e., take back) that consent anytime before the use of their name or photograph takes place. Therefore, you should honor the decisions of consenting persons who suddenly change their minds, so long as publication hasn't already taken place.
Hosting advertisements on your site does not deprive you of the news and commentary exception. The courts have long recognized that for-profit news organizations that sell advertising space are entitled to protection. See, e.g., Arrington v. New York Times, 434 N.E.2d 1319, 1322 (1982); Berkos v. National Broad. Co., 515 N.E.2d 668, 679 (Ill. App. Ct. 1987). This principle should extend to online platforms that sell advertising space.
There are two important limitations on the exception for news and commentary:
First, if the plaintiff can show that your use of his or her name or likeness bears no reasonable relationship to the content of the news or commentary presented, then you may be liable for creating an "advertisement in disguise." This usually comes up with photographs used to illustrate otherwise newsworthy stories. As a general rule, it is never a good idea to illustrate an article or post with a completely unrelated photograph, especially if the purpose of the photograph is simply to catch the public's attention or draw traffic to your site.
Some courts have let media defendants get away with using photographs of people who are not actually discussed in the article in question. For instance, the New York Court of Appeals held that a magazine lawfully could use the photograph of a large family to illustrate its article on a research study about caffeine and fertility, even though the family did not participate in the study. The court ruled that the photograph of the family was reasonably related to the "theme" of fertility that ran throughout the article. See Finger v. Omni Publ'n Int'l Ltd., 566 N.E.2d 141 (N.Y. 1990). Other courts have rejected this view, holding that there is no reasonable relationship between the photograph and the subject matter of the article if the person in the photograph is not mentioned in the text. For instance, in Christianson v. Henry Holt & Company, 2007 WL 2680822 (C.D. Ill. June 29, 2007), the court ruled in favor of a woman whose photograph appeared on the cover of the book Nickel and Dimed. Although the book itself dealt with a newsworthy topic, the author and publisher could not use the woman's photograph on the cover because she was never mentioned in the book.
Using a photograph of a totally unrelated person to illustrate a story may also create liability for defamation and false light invasion of privacy. See Overview of Publishing Information That Harms Reputation for details on these two legal claims.
Second, the Supreme Court has held that the First Amendment does not protect the media when they appropriate a celebrity's entire performance without compensation, even in connection with a newsworthy story or program. In Zacchini v. Scripps-Howard Broadcasting Co., 433 U.S. 562 (1977), a news reporter videotaped Hugo Zacchini's "human cannonball" act at a county fair without permission, and his employer broadcast the entire fifteen-second act on the evening news. The Supreme Court held that the First Amendment did not prevent liability for violation of the right of publicity, even though the broadcast was newsworthy. Therefore, it is not a good idea to record and publish all or most of someone's performance (e.g., a live musical or dance performance) without permission, even if the performance is legitimately newsworthy.
As a general matter, you will not be held liable for using someone's name or likeness in a creative, entertaining, or artistic work that is transformative, meaning that you add some substantial creative element over and above the mere depiction of the person. In other words, the First Amendment ordinarily protects you if you use someone's name or likeness to create something new that is recognizably your own, rather than something that just evokes and exploits the person's identity.
For instance, in one case an artist created and sold t-shirts that contained a realistic depiction of The Three Stooges, and the company which owns the publicity rights sued. The California Supreme Court recognized that the First Amendment generally protects artistic and creative works, but found that the t-shirts in question were not sufficiently transformative because "the artist's skill and talent [was] manifestly subordinated to the overall goal of creating a conventional portrait of a celebrity so as to commercially exploit his or her fame." Comedy III Prods., Inc. v. Gary Saderup, Inc., 21 P.3d 797, 810 (Cal. 2001). In another case, the artist Barbara Kruger created an untitled work that incorporated a photograph of Charlotte Dabny holding a large magnifying glass over her right eye (which itself was a famous photograph by German photographer Thomas Hoepker). Kruger cropped and enlarged the photographic image, transferred it to silkscreen and superimposed three large red blocks containing the sentence "It's a small world but not if you have to clean it." A New York court held that Dabny could not recover for misappropriation because Kruger's artistic work was protected by the First Amendment because Kruger had added sufficiently transformative elements. See Hoepker v. Kruger, 200 F. Supp.2d 340 (S.D.N.Y. 2002).
One court has held that this doctrine applies to online activities as well. In Stern v. Delphi Internet Services Corporation, 626 N.Y.S.2d 694 (N.Y. Sup. Ct. 1995), an Internet service provider set up an on-line bulletin board dedicated to discussion of Howard Stern's candidacy for governor. To advertise its service, the company took out a full page advertisement in New York Magazine featuring a photograph of Stern in leather pants which exposed his buttocks. An accompanying caption read "Should this man be the next governor of New York?" The advertisement invited readers to purchase Internet access from the ISP and to join the online debate about Stern. The court held that, because the ISP could lawfully use Stern's name for its online bulletin board (i.e., it fit the news and commentary exception -- see above), it could also use his name and photo to advertise that service. The court noted that "New York courts have consistently held that the incidental advertising exception applies to all 'news disseminators,' not just newspapers and magazines." There is no reason to believe courts in other states would not reach a similar result.
So, for example, if you write an article about a celebrity, you should be able to use that celebrity's name and image sparingly for purposes of promoting the article.
Operating a social networking site presents special problems relating to misappropriation and rights of publicity. Such sites obviously incorporate the names and likenesses of those people who join the network, and it is not yet clear from a legal perspective whether the type of information conveyed by a social networking site fits into the "news and commentary" exception to liability. Although the famous social networking sites have teams of well-paid lawyers, others interested in incorporating social networking functionality into their websites need to be aware of how using the name or likeness of another can lead to liability.
Because of the legal uncertainty surrounding this topic, people interested in using social networking functionality should seek consent from account holders in their terms of use. A clause like this, from Facebook's terms of use, may be helpful:
A different problem arises when someone creates a false profile on a social networking site. In these cases, the person whose name or likeness is being used improperly is not an account holder and has not given consent. The law is not settled on this point yet, but it appears that a person whose name or likeness is posted to a false profile may have a valid legal claim for misappropriation and/or violation of the right of publicity. Beyond that, false profiles often lead to defamation claims against the person who posted the false profile. See Law.com's article, Fake Online Profiles Trigger Suits, for examples. From the perspective of the website operator, defamation claims based on fake profiles are not a serious legal threat because section 230 of the Communications Decency Act (CDA 230) provides immunity from defamation claims based on third-party content. See Immunity under CDA 230 for details on immunity from liability for user-generated content.
In Doe v. Friendfinder Network, Inc., 2008 WL 803947 (D.N.H. Mar. 27, 2008), someone created a false profile of a real woman (we'll call her Jane Doe) on the social networking site "Adult Friendfinder." The false profile included biographical information about Jane, along with spurious statements about her sexual proclivities. The photograph posted to the profile was not Jane, but she alleged that the biographical information was sufficient to identify her to people in her community. The social networking site not only hosted the fake profile, but incorporated it into teaser advertisements that appeared on Internet search engines when users entered search terms matching some of the information in the profile, including true biographical information about Jane. The teaser ads also appeared on other "sexually related" websites. Jane sued the adult social networking site, bringing various state law claims including invasion of privacy and publicity rights. The court held that, under the circumstances, she had stated a valid claim for violation of her right of publicity. In addition, the court held that CDA 230, which immunizes website operators from many state law legal claims based on user-generated content, does not apply to right of publicity claims. Therefore, Jane's claim against the social networking site could go forward, despite the fact that a third-party created the profile.
To deal with the fake profile issue, you might want to include a clause in your terms of service that requires users not to post material that would violate a third-party's privacy or publicity rights. Technically, this might help you recover some of the costs if you are sued by someone for hosting a fake profile. In reality, it may be impossible to identify who posted the fake profile, and they may not have any money to pay you.
Your best defense against these types of lawsuits is to create a mechanism for aggrieved individuals to submit complaints and to respond expeditiously to complaints about fake profiles. In addition, you can help protect yourself by not using user profiles in any sort of advertising or site promotion.
Fan Sites
Fan sites pertaining to a celebrity, such as a sports figure, musician, or movie star, are potentially vulnerable to right of publicity and misappropriation claims because they rely so heavily on the name and likeness of their particular hero. In the last year, we've documented two examples of this problem. In July 2007, Patrick O'Keefe, the operator of the fan site MarianoRivera.com received a cease-and-desist letter from SFX Baseball Group, which represents Yankees baseball player, Mariano Rivera. The letter asserted that the site's use of the domain name, marianorivera.com, violated Mr. Rivera's right of publicity and federal trademark law. After discussions, an SFX representative told O'Keefe that he could continue to operate the website, but refused to give any assurances about the future. See our database entry, SFX Baseball Group v. MarianoRivera.com, for details. In another example, pop star Prince sent a number of cease-and-desist letters to Prince fan sites in November 2007, claiming right of publicity violations and copyright infringement. The letters asked the fan sites to remove all photographs, images, lyrics, album covers, and anything linked to Prince's likeness. After Prince got a lot of bad publicity, the parties entered into negotiations, which appear to be ongoing. See our database entry, Prince v. Prince Fan Sites, for details.
Whether fan sites like these actually violate the publicity or privacy rights of their idols is not clear under the law. The best legal arguments in favor of fan sites are probably that they provide "news" about the celebrity in question and that their use of the celebrity's name or likeness is not commercial or otherwise exploitative (this argument may be stronger if the site hosts no advertisements whatsoever). These sites should avoid selling merchandise, like t-shirts or coffee mugs, emblazoned with the name or likeness of their particular celebrity. In the end, we will have to await further guidance from the courts on these issues.
Fan sites also raise copyright and trademark issues; consult the Intellectual Property section for more information.
Barbara Kruger Artsy Link, check it out for related info
You might be familiar with the now-famous case of Alison Chang, which is a good example of a potentially unlawful use of someone's name or likeness. In September 2007, Chang's parents filed alawsuit in state court in Texas against Virgin Mobile Australia and Creative Commons. Virgin Mobile Australia obtained a photograph of Chang from Flickr, where is was posted with a CC "Attribution" license, which gave Virgin Mobile permission from a copyright perspective to use the photograph in a commercial setting so long as it gave attribution to the photographer who took the photo. (For information on copyright licensing, see Copyright Licenses and Transfers.) Virgin Mobile used the photograph in an advertising campaign to promote its free text messaging and other mobile services without getting permission from Chang or her parents to use her name or likeness. Chang's parents sued Virgin Mobile for misappropriation of her likeness, and the facts would also have supported a claim for violation of her right of publicity. They brought other claims against Creative Commons, which they dismissed shortly after filing the lawsuit. The case, which was subsequently dismissed for lack of personal jurisdiction over Virgin Mobile, is interesting because it highlights the fact that somebody seeking to use a photograph needs to worry not just about copyright law, but also misappropriation and rights of publicity.
The Chang case involved a clearly commercial use of her likeness. As a general matter, you should never use someone's name or photograph in advertising or promotion of your website or blog without permission. The same goes for creating merchandise that you plan to sell to the public which incorporates someone's name or photograph. With the limited exception for "incidental advertising use" discussed below, you need to get consent for commercial uses like these. But what about a casual reference to your neighbor in a blog post? Or what if you write an article about a local politician that features his photograph? Or what if you publish a photograph that you took of a famous actress walking down the red carpet at the Oscars? Fortunately, the law does not give individuals the right to stop all mention, discussion, or reporting on their lives or activities. The common law of most states creates an exception to liability for news reporting and commentary on matters of public interest, and many state statutes explicitly exempt news reporting and other expressive activities from liability. Despite these substantial protections, it is a good practice to obtain consent of the person depicted when you publish photographs or other personal information about someone on your blog, especially if your use might be construed as commercial or promotional.
Who Can Sue for Unlawful Use of Name or Likeness
Only human beings, and not corporations or other organizations, have rights of publicity and privacy interests that can be invaded by misappropriation of name or likeness. Thus, only individuals can sue for unlawful use of name or likeness, unless a human being has transferred his or her rights to an organization. Note that companies may sue you for trademark infringement and unfair competition if you exploit their brand names for commercial purposes. See the Trademark section for details.In some states, celebrities cannot sue for misappropriation of name and likeness (on the theory that they have no privacy interest to protect), and non-celebrities may not sue for violation of the right of publicity (on the theory that their personalities have no commercial value). The growing trend, however, is to permit both celebrities and non-celebrities to sue for both misappropriation and violation of the right of publicity, as long as they can establish the relevant kind of harm.
You cannot invade the privacy of a dead person, so you generally cannot be sued for misappropriation of the name or likeness of a dead person, unless the misappropriation took place before the person in question died. However, in many states the right of publicity survives after death, so you could be sued for violating the publicity rights of a dead person. This is most likely to come up with dead celebrities.
Elements of a Claim for Unlawful Use of Name or Likeness
A plaintiff must establish three elements to hold someone liable for unlawful use of name or likeness:1. Use of a Protected Attribute: The plaintiff must show that the defendant used an aspect of his or her identity that is protected by the law. This ordinarily means a plaintiff's name or likeness, but the law protects certain other personal attributes as well.Below, we address these elements in greater detail. Keep in mind that misappropriation and right of publicity are state-law legal claims, so there is some variation of the law in different states. For state-specific information, see State Law: Right of Publicity and Misappropriation.
2. For an Exploitative Purpose: The plaintiff must show that the defendant used his name, likeness, or other personal attributes for commercial or other exploitative purposes. Use of someone's name or likeness for news reporting and other expressive purposes is not exploitative, so long as there is a reasonable relationship between the use of the plaintiff's identity and a matter of legitimate public interest.
3. No Consent: The plaintiff must establish that he or she did not give permission for the offending use.
Use of a Protected Attribute
A plaintiff bringing a misappropriation or right of publicity claim must show that the defendant used attributes of his or her identity that are protected by the law. Usually, this means showing that the defendant used the plaintiff's name or likeness. With regard to use of a name, it does not have to be a full or formal name, just something that is sufficient to identify the plaintiff. Using a well-known nickname can suffice. For instance, in Faegre & Benson, LLP v. Purday, 367 F. Supp. 2d 1238 (D. Minn. 2005), the court held that the defendant had misappropriated the plaintiff's name when he used the pseudonym that the plaintiff blogged under in the domain name for a website. "Likeness" refers to a visual image of the plaintiff, whether in a photograph, drawing, caricature, or other visual presentation. The visual image need not precisely reproduce the plaintiff's appearance, or even show his or her face, so long as it is enough to evoke the plaintiff's identity in the eyes of the public.The law protects other personal attributes or aspects of identity from unauthorized use as well. For example, courts have held that use of a celebrity's voice can violate the right of publicity. See, e.g.,Midler v. Ford Motor Co., 849 F.2d 460 (9th Cir. 1988). One court held a defendant liable for using the slogan "Here's Johnny" as a brand name for portable toilets because it sufficiently evoked Johnny Carson's identity. See Carson v. Here's Johnny Portable Toilets, Inc., 698 F.2d 831 (6th Cir. 1983). In other examples, courts have held defendants liable for using a photograph of the plaintiff's race car in a television commercial, see Motschenbacher v. R.J. Reynolds Tobacco Co., 498 F.2d 821 (9th Cir. 1974), and creating a commercial featuring a robot decked out to resemble Vanna White and posing next to a Wheel of Fortune game board, see White v. Samsung Elec. Am., Inc., 917 F.2d 1395 (9th Cir. 1992). In all of these cases, the common rationale was that the attribute in question was sufficient to identify the plaintiff and evoke their identity for the public.
Note also that the Supreme Court has recognized that state law may protect a celebrity's right of publicity in the content of his or her unique performance. In Zacchini v. Scripps-Howard Broadcasting Co., 433 U.S. 562 (1977), the Court held that Ohio could constitutionally recognize Hugo Zacchini's right of publicity in his "human canonball" performance.
Some state statutes limit liability to the unauthorized use of particular attributes. For example, the New York statute only covers "name, portrait, picture or voice," N.Y. Civ. Rights Law § 51, the California statute covers only "name, voice, signature, photograph, or likeness," Cal. Civ. Code § 3344(a), and the Massachusetts statute covers only "name, portrait, or picture," Mass. Gen. Laws ch. 214, § 3A. Depending on state law, relief for the use of a wider array of personal attributes may be available under the common law (i.e., judge-made law). See State Law: Right of Publicity and Misappropriation for details.
Exploitative Purpose
A plaintiff bringing a misappropriation or right of publicity claim must show that the defendant used his or her name, likeness, or other personal attribute for an exploitative purpose. The meaning of "exploitative purpose" differs depending on whether we are dealing with a right of publicity or a misappropriation claim:Exploitative Purpose: Right of Publicity
The right of publicity is the right of a person to control and make money from the commercial use of his or her identity. A plaintiff that sues you for interfering with that right generally must show that you used his or her name or likeness for a commercial purpose. This ordinarily means using the plaintiff's name or likeness in advertising or promoting your goods or services, or placing the plaintiff's name or likeness on or in products or services you sell to the public. Therefore, it is a bad idea to create an advertisement suggesting that a celebrity -- or anyone for that matter -- endorses your website or blog. It is equally unwise to use someone else's name as the title of your website or blog, especially if you host advertisements. You can be liable even without creating a false sense that the person in question endorses your product or service; the key is that you are exploiting the plaintiff's identity to drive traffic or obtain some other commercial benefit.
It may also be an exploitative commercial use to sell subscriptions to your site in return for access to content relating to a specific (usually famous) individual. For instance, one court held that a website operator violated Bret Michaels and Pamela Anderson's rights of publicity by providing website users access to a Michaels-Anderson sex video in return for a subscription fee. See Michaels v. Internet Entm't Group, 5 F. Supp.2d 823 (C.D. Cal. 1998). In another example, a court issued an injunction prohibiting a website operator from violating Paris Hilton's right of publicity by selling subscriptions to a website providing access to photographs of her and other private materials belonging to her. SeeHilton v. Persa, No. 07-cv-00667 (C.D. Cal. Feb. 20, 2007), and our database entry on the case for additional details.
Exploitative Purpose: Misappropriation of Name or Likeness
Most lawsuits claiming invasion of privacy through misappropriation of name or likeness also involve commercial uses of the plaintiff's identity, such as in advertising or promoting products or services. For example, one of the first cases to recognize a legal claim for misappropriation sprang out of the defendant's use of the plaintiff's photograph in an advertisement for life insurance. See Pavesich v. New England Life Ins. Co., 50 S.E. 68 (Ga. 1905). You also may be held liable for some non-commercialuses of someone's name or likeness if you exploit the plaintiff's identity for your own benefit.
For example, one court has held that an anti-abortion activist who registered domain names incorporating the names and nicknames of his ideological rivals had misappropriated their names for his own benefit. See Faegre & Benson, LLP v. Purdy, 367 F. Supp. 2d 1238 (D. Minn. 2005). The court also held that the defendant had committed misappropriation through a form of sock puppetry -- namely, he posted comments on his own bulletin board pretending to be lawyers from a law firm that fought for abortion rights; in these comments, he expressed opinions and views that were favorable to his own position that abortion is immoral. See Faegre & Benson, LLP v. Purdy, 447 F. Supp. 2d 1008 (D. Minn. 2006). In another case, a professor created non-commercial websites and email accounts containing portions of the names of several of his former colleagues. Using these email accounts, the professor then sent emails to a number of universities, pretending to nominate these former colleagues for university positions and directing readers back to his websites, which contained critical posts about the nominated individuals. When the University and his former colleagues sued, an Indiana state court found that he had committed misappropriation. The Supreme Court of Indiana affirmed the lower court's decision, holding that the professor had exploited the plaintiffs' names for his own benefit "in that [the misappropriation] enabled him to pursue a personal vendetta." Felsher v. Univ. of Evansville, 755 N.E.2d 589, 600 (Ind. 2001).
One court has held that posting a photograph of a real estate agent on a "gripe site" dedicated to criticizing him was not sufficiently exploitative to impose liability. The court reasoned that the defendant had not published the photo in order to "tak[e] advantage of [the real estate agent's] reputation, prestige, or other value associated with him, for purposes of publicity," but only "as a part of a declaration of his opinion." McMann v. Doe, No. 06-11825-JLT (D. Mass. Oct. 31, 2006).
As a general matter, then, it is a good idea to avoid impersonating other individuals on the Internet for political or even personal reasons, because that may be sufficiently exploitative to result in liability for misappropriation. On the other hand, simply using someone's name or likeness in the process of expressing your opinion is probably safe, especially given the exception for news and commentary discussed below.
Consent
Consent is a complete defense to a legal claim for misappropriation of name or likeness or violation of the right of publicity. When you gather information from or take photographs of an individual, it is a good practice to ask for consent to use the material on your website, blog, or other online platform. Make sure to get consent in writing whenever possible.When taking photographs or video of someone, you can use a model release form. Some examples of model releases can be found at the American Society of Media Photographers (model release for adult,model release for minor child, simplified model release, and pocket release), and the New York Institute of Photography. You can find additional samples by doing a basic Internet search for "model release." Note that you can choose between various types of model release, which are of varying complexity. You may be better off using one of the simpler forms, unless you are planning on using someone's name or likeness in advertising or an obviously commercial use. All of these sample releases need to be customized to your own particular circumstances and purposes. You should not use someone's photograph for a purpose or in a type of media not covered by the release because then the release will be ineffective.
For interviewing someone (with or without taking photographs), it is also good practice to obtain aninterview release form. This release can protect you against publication of private facts claims in addition to misappropriation and right of publicity claims. Some examples of interview releases can be found in Stanford's Copyright and Fair Use Guide, and at EmilioCorsetti.com and the University of Michigan Press. You can find additional samples by doing a basic Internet search for "interview release," and the book The Copyright Permission and Libel Handbook by Lloyd J. Jassin and Steven C. Schecter has two excellent examples. There are a number of different kinds of interview release forms; you will need to choose and customize one to suit your own purposes. As above, you should not use someone's name or likeness for a purpose or in a type of media not covered by the release.
If, instead, you obtain photographs for use on your website or blog from a publicly available source on the Internet, it may be more difficult to obtain the consent of the persons depicted in those photographs, especially if they are celebrities. In close cases, where you are not sure whether your proposed use is commercial or otherwise exploitative, or where you are unsure whether your use fits within the protection for "news and commentary" (see below), you should do your best to obtain consent. If you cannot get it, then you should consider using a different image. When using photographs that you did not personally take, you need to worry about copyright law in addition to name or likeness issues. Getting permission from the person depicted in the photograph only stops a claim for misappropriation or violation of the right of publicity. You also need to get copyright permission from the person who took the photograph (or whoever owns the copyright). For details on getting permission to use a copyrighted work, see Copyright Licenses and Transfers.
Children cannot consent on their own behalf. When using the name or likeness of a minor (generally someone under the age of eighteen), you should seek consent from the minor's parent. Some of the example release forms linked to above are geared toward getting the consent of minors. Keep in mind that people giving you consent can revoke (i.e., take back) that consent anytime before the use of their name or photograph takes place. Therefore, you should honor the decisions of consenting persons who suddenly change their minds, so long as publication hasn't already taken place.
Free Expression Limitations on Liability
Fortunately, the law places important limitations on misappropriation and right of publicity claims, which help to protect your right of free expression and to safeguard the free flow of information in society. Below, we discuss these limitations in detail.Exception for News and Commentary
You generally cannot be held liable for using someone's name, likeness, or other personal attributes in connection with reporting or commenting on matters of public interest. Many courts view this as a constitutional privilege based on the First Amendment, and some states have statutes explicitly exempting news reporting and commentary on public issues from liability. It is not always easy to determine what will qualify as news or legitimate commentary, especially on the Internet. But the courts traditionally have taken an extremely broad view of "news" and "commentary" -- it encompasses any reporting or commenting on current events or social issues, "soft news" which is of primarily entertainment value, and conveyance of information on past events of interest. The exception is extremely broad, and would encompass almost anything that conveys information or comments on a topic of even arguable public interest. For example, courts have found that the following media uses qualified for the exception:- an Internet bulletin board devoted to discussing Howard Stern's candidacy for governor;
- an unauthorized biography of a celebrity;
- a magazine report on meeting women at summer concerts, with photos of some of the women;
- a TV news report on allegations that an orthopedist was sexually assaulting his female patients;
- a magazine article discussing a research study about how caffeine affects fertility, with a photo of a large family;
- a fundraising letter discussing public policy questions in the field of education and relating a local political figure's praise of the organization sending the letter;
- a magazine article on contemporary attitudes of Irish-Americans in New York City, including a photo of an individual dressed up for the Saint Patrick's Day parade;
- a magazine article featuring the plaintiff as "Asshole of the Month," with a photograph of the plaintiff superimposed over the rear-end of a bent-over naked man;
- a book profiling the various leading securities experts and analyzing their strategies;
- a magazine article about a "bomber jacket," with information about the approximate price, the name of the designer, stores where it could be purchased, and a photograph of the plaintiff modeling the jacket;
- a report that a professional female tennis star had posed nude for a photograph; and
- a report on teenage grooming.
Hosting advertisements on your site does not deprive you of the news and commentary exception. The courts have long recognized that for-profit news organizations that sell advertising space are entitled to protection. See, e.g., Arrington v. New York Times, 434 N.E.2d 1319, 1322 (1982); Berkos v. National Broad. Co., 515 N.E.2d 668, 679 (Ill. App. Ct. 1987). This principle should extend to online platforms that sell advertising space.
There are two important limitations on the exception for news and commentary:
First, if the plaintiff can show that your use of his or her name or likeness bears no reasonable relationship to the content of the news or commentary presented, then you may be liable for creating an "advertisement in disguise." This usually comes up with photographs used to illustrate otherwise newsworthy stories. As a general rule, it is never a good idea to illustrate an article or post with a completely unrelated photograph, especially if the purpose of the photograph is simply to catch the public's attention or draw traffic to your site.
Some courts have let media defendants get away with using photographs of people who are not actually discussed in the article in question. For instance, the New York Court of Appeals held that a magazine lawfully could use the photograph of a large family to illustrate its article on a research study about caffeine and fertility, even though the family did not participate in the study. The court ruled that the photograph of the family was reasonably related to the "theme" of fertility that ran throughout the article. See Finger v. Omni Publ'n Int'l Ltd., 566 N.E.2d 141 (N.Y. 1990). Other courts have rejected this view, holding that there is no reasonable relationship between the photograph and the subject matter of the article if the person in the photograph is not mentioned in the text. For instance, in Christianson v. Henry Holt & Company, 2007 WL 2680822 (C.D. Ill. June 29, 2007), the court ruled in favor of a woman whose photograph appeared on the cover of the book Nickel and Dimed. Although the book itself dealt with a newsworthy topic, the author and publisher could not use the woman's photograph on the cover because she was never mentioned in the book.
Using a photograph of a totally unrelated person to illustrate a story may also create liability for defamation and false light invasion of privacy. See Overview of Publishing Information That Harms Reputation for details on these two legal claims.
Second, the Supreme Court has held that the First Amendment does not protect the media when they appropriate a celebrity's entire performance without compensation, even in connection with a newsworthy story or program. In Zacchini v. Scripps-Howard Broadcasting Co., 433 U.S. 562 (1977), a news reporter videotaped Hugo Zacchini's "human cannonball" act at a county fair without permission, and his employer broadcast the entire fifteen-second act on the evening news. The Supreme Court held that the First Amendment did not prevent liability for violation of the right of publicity, even though the broadcast was newsworthy. Therefore, it is not a good idea to record and publish all or most of someone's performance (e.g., a live musical or dance performance) without permission, even if the performance is legitimately newsworthy.
Protection for Creative Works
The First Amendment and the laws of many states also protect your use of someone's name or likeness in creative works and other forms of entertainment. Included in this category are things like novels that include mention of real-life figures, historical fiction, movies based loosely on real-life events, "docudramas," works of art that incorporate an individual's photo or image, and acts of parody directed at an individual. Some state statutes explicitly exempt these kinds of work from liability for misappropriation or violation of the right of publicity. See, e.g., 42 Pa. Cons. Stat. § 8316(e)(2) (link is to entire code; you need to click through to title 42, part VII, chapter 83, subchapter A, and then choose the specific provision); Wash Rev. Code § 63.60.070(1). In other states, the courts look at the creative or artistic work in question and decide on a case-by-case basis whether the First Amendment values at stake trump the plaintiff's rights of privacy and publicity. See State Law: Right of Publicity and Misappropriation for details.As a general matter, you will not be held liable for using someone's name or likeness in a creative, entertaining, or artistic work that is transformative, meaning that you add some substantial creative element over and above the mere depiction of the person. In other words, the First Amendment ordinarily protects you if you use someone's name or likeness to create something new that is recognizably your own, rather than something that just evokes and exploits the person's identity.
For instance, in one case an artist created and sold t-shirts that contained a realistic depiction of The Three Stooges, and the company which owns the publicity rights sued. The California Supreme Court recognized that the First Amendment generally protects artistic and creative works, but found that the t-shirts in question were not sufficiently transformative because "the artist's skill and talent [was] manifestly subordinated to the overall goal of creating a conventional portrait of a celebrity so as to commercially exploit his or her fame." Comedy III Prods., Inc. v. Gary Saderup, Inc., 21 P.3d 797, 810 (Cal. 2001). In another case, the artist Barbara Kruger created an untitled work that incorporated a photograph of Charlotte Dabny holding a large magnifying glass over her right eye (which itself was a famous photograph by German photographer Thomas Hoepker). Kruger cropped and enlarged the photographic image, transferred it to silkscreen and superimposed three large red blocks containing the sentence "It's a small world but not if you have to clean it." A New York court held that Dabny could not recover for misappropriation because Kruger's artistic work was protected by the First Amendment because Kruger had added sufficiently transformative elements. See Hoepker v. Kruger, 200 F. Supp.2d 340 (S.D.N.Y. 2002).
Incidental Advertising Use
If you use someone's name or likeness in connection with news reporting, commentary, or a creative work protected by the First Amendment, then you can also use it in connection with truthful advertising of your own work. Courts refer to this as the "incidental use" doctrine. This doctrine permits TV news shows to use "teaser" ads including images of people reported on during the main program, and publishers to create book jackets and advertisements for unauthorized biographies containing the name or photograph of the book's subject.One court has held that this doctrine applies to online activities as well. In Stern v. Delphi Internet Services Corporation, 626 N.Y.S.2d 694 (N.Y. Sup. Ct. 1995), an Internet service provider set up an on-line bulletin board dedicated to discussion of Howard Stern's candidacy for governor. To advertise its service, the company took out a full page advertisement in New York Magazine featuring a photograph of Stern in leather pants which exposed his buttocks. An accompanying caption read "Should this man be the next governor of New York?" The advertisement invited readers to purchase Internet access from the ISP and to join the online debate about Stern. The court held that, because the ISP could lawfully use Stern's name for its online bulletin board (i.e., it fit the news and commentary exception -- see above), it could also use his name and photo to advertise that service. The court noted that "New York courts have consistently held that the incidental advertising exception applies to all 'news disseminators,' not just newspapers and magazines." There is no reason to believe courts in other states would not reach a similar result.
So, for example, if you write an article about a celebrity, you should be able to use that celebrity's name and image sparingly for purposes of promoting the article.
Special Types of Websites
Social Networking SitesOperating a social networking site presents special problems relating to misappropriation and rights of publicity. Such sites obviously incorporate the names and likenesses of those people who join the network, and it is not yet clear from a legal perspective whether the type of information conveyed by a social networking site fits into the "news and commentary" exception to liability. Although the famous social networking sites have teams of well-paid lawyers, others interested in incorporating social networking functionality into their websites need to be aware of how using the name or likeness of another can lead to liability.
Because of the legal uncertainty surrounding this topic, people interested in using social networking functionality should seek consent from account holders in their terms of use. A clause like this, from Facebook's terms of use, may be helpful:
This should help protect against misappropriation and right of publicity claims brought by users based on the photos and other materials they upload. Incidentally, having users agree to such a clause also gives you the permissions you need to avoid copyright claims brought by users.By posting User Content to any part of the Site, you automatically grant, and you represent and warrant that you have the right to grant, to the Company an irrevocable, perpetual, non-exclusive, transferable, fully paid, worldwide license (with the right to sublicense) to use, copy, publicly perform, publicly display, reformat, translate, excerpt (in whole or in part) and distribute such User Content for any purpose, commercial, advertising, or otherwise, on or in connection with the Site or the promotion thereof, to prepare derivative works of, or incorporate into other works, such User Content, and to grant and authorize sublicenses of the foregoing.
A different problem arises when someone creates a false profile on a social networking site. In these cases, the person whose name or likeness is being used improperly is not an account holder and has not given consent. The law is not settled on this point yet, but it appears that a person whose name or likeness is posted to a false profile may have a valid legal claim for misappropriation and/or violation of the right of publicity. Beyond that, false profiles often lead to defamation claims against the person who posted the false profile. See Law.com's article, Fake Online Profiles Trigger Suits, for examples. From the perspective of the website operator, defamation claims based on fake profiles are not a serious legal threat because section 230 of the Communications Decency Act (CDA 230) provides immunity from defamation claims based on third-party content. See Immunity under CDA 230 for details on immunity from liability for user-generated content.
In Doe v. Friendfinder Network, Inc., 2008 WL 803947 (D.N.H. Mar. 27, 2008), someone created a false profile of a real woman (we'll call her Jane Doe) on the social networking site "Adult Friendfinder." The false profile included biographical information about Jane, along with spurious statements about her sexual proclivities. The photograph posted to the profile was not Jane, but she alleged that the biographical information was sufficient to identify her to people in her community. The social networking site not only hosted the fake profile, but incorporated it into teaser advertisements that appeared on Internet search engines when users entered search terms matching some of the information in the profile, including true biographical information about Jane. The teaser ads also appeared on other "sexually related" websites. Jane sued the adult social networking site, bringing various state law claims including invasion of privacy and publicity rights. The court held that, under the circumstances, she had stated a valid claim for violation of her right of publicity. In addition, the court held that CDA 230, which immunizes website operators from many state law legal claims based on user-generated content, does not apply to right of publicity claims. Therefore, Jane's claim against the social networking site could go forward, despite the fact that a third-party created the profile.
To deal with the fake profile issue, you might want to include a clause in your terms of service that requires users not to post material that would violate a third-party's privacy or publicity rights. Technically, this might help you recover some of the costs if you are sued by someone for hosting a fake profile. In reality, it may be impossible to identify who posted the fake profile, and they may not have any money to pay you.
Your best defense against these types of lawsuits is to create a mechanism for aggrieved individuals to submit complaints and to respond expeditiously to complaints about fake profiles. In addition, you can help protect yourself by not using user profiles in any sort of advertising or site promotion.
Fan Sites
Fan sites pertaining to a celebrity, such as a sports figure, musician, or movie star, are potentially vulnerable to right of publicity and misappropriation claims because they rely so heavily on the name and likeness of their particular hero. In the last year, we've documented two examples of this problem. In July 2007, Patrick O'Keefe, the operator of the fan site MarianoRivera.com received a cease-and-desist letter from SFX Baseball Group, which represents Yankees baseball player, Mariano Rivera. The letter asserted that the site's use of the domain name, marianorivera.com, violated Mr. Rivera's right of publicity and federal trademark law. After discussions, an SFX representative told O'Keefe that he could continue to operate the website, but refused to give any assurances about the future. See our database entry, SFX Baseball Group v. MarianoRivera.com, for details. In another example, pop star Prince sent a number of cease-and-desist letters to Prince fan sites in November 2007, claiming right of publicity violations and copyright infringement. The letters asked the fan sites to remove all photographs, images, lyrics, album covers, and anything linked to Prince's likeness. After Prince got a lot of bad publicity, the parties entered into negotiations, which appear to be ongoing. See our database entry, Prince v. Prince Fan Sites, for details.
Whether fan sites like these actually violate the publicity or privacy rights of their idols is not clear under the law. The best legal arguments in favor of fan sites are probably that they provide "news" about the celebrity in question and that their use of the celebrity's name or likeness is not commercial or otherwise exploitative (this argument may be stronger if the site hosts no advertisements whatsoever). These sites should avoid selling merchandise, like t-shirts or coffee mugs, emblazoned with the name or likeness of their particular celebrity. In the end, we will have to await further guidance from the courts on these issues.
Fan sites also raise copyright and trademark issues; consult the Intellectual Property section for more information.
Statute of Limitations
The "statute of limitations" is a term used by courts to describe the maximum amount of time plaintiffs can wait before bringing a lawsuit after the events they are suing over took place. This time limit is set by state law and is intended to promote fairness and keep old cases from clogging the courts. In misappropriation and right of publicity cases, the statute of limitations ordinarily runs from the date of first publication or exhibition of the offending use of the plaintiff's name or likeness. The limitations period varies based on state law; for misappropriation and right of publicity claims, it can be anywhere from one to six years. For specific information on limitations periods applicable to particular state law claims, see the State Law: Right of Publicity pages.Barbara Kruger Artsy Link, check it out for related info
[RANT] Why I'm NOT a MAINSTREAM WRITER, or a Member of ASMB anymore, for that matter...
Good thing the job
description of WRITER doesn't require you to be a NICE GUY to everybody.
Otherwise I'd be pretty damn screwed.
Goddamit I wish the
Writer's Market textbook was easier to figure out and use. I HATE contacting
literary agencies. Considering they never respond to inquiries or answer their
phones. I'm starting to hate literary agents. Because first of all, they make
it a lot harder to find a publisher for your books than it should be. These
agencies fucking frustrate me. I struggle more than Fuck trying to find work. I
always fail. Good thing I don't give up easily. Do I want to fail. Okay, then
I'll call one of the agencies. Sure, let's go with that one. Man, fuck that. I
just like to write. I don't need an agent or publishing house. I don't need
power or fame to be a self assured and confident writer. I just write. All day
and all night. Every day and every night. For up to 16 hours daily.
Do you want to FAIL,
all the time, EVERY TIME, at EVERY THING YOU DO?? Then sure! Submit your book
to an AGENCY, with a QUERY LETTER. I'm sure it will work like a charm. The
whole thing is rigged even more than an online casino. There's no hope or point
to it, as it's more than just competitive to break through as a so-called
"mainstream novelist". It's pretty much impossible. Just wait until
the sweet release of DEATH. I'm sure agents, editors, and publishers would LOVE
to see it THEN.
I am NOT a FAN of the
traditional mainstream literary establishment and publishing system. It's so
hard. Writing is just so easy for the most part. Funny how that works out. Not
in my favor. I'm better off with Kindle and Scribd. The publishing house cliques
never go there, so I have no reason to hold back there.
I spent my entire early
literary career being terrified of letting publishers, agents, or editors (who
worked for or with the literary giants) see my literary work. And not
surprisingly. Those Freaks are TERRIFYING! Agents are the only people I fear
more the people who criticize me: The people who can actually do the opposite.
Make me a success: "Uncriticizable". Like a Stephen King, a JK
Rowling, or a Neil Gaiman. People who can write their own ticket in the tough
as nails publising world. I'd give anything to be on the other side of the
rainbow, but I'm pretty sure that's never going to happen. Otherwise I'd be
nicer when talking about it. So far self-publishing, and getting one pilot
animation script registered with the Writers Guild of America (WGA) East is as
far as I go, unfortunately. Getting work as a writer and artist is like pulling
teeth. Good thing I don't get jealous of other writers easily.
So far, I've been
rejected and turned down by every editor, agent, agency, TV Network, comic book
publisher and animation studio I've ever turned to. All I know in writing and
art is rejection, and people saying I don't have talent, albeit, even if its
phrased politely. And I have no desire to jump through hoops just to write. I'm
committed to the process, which is why I wrote 4,000 - 5,000 pages, never to
publish or submit any of it. I only tried to submit my journals to an agency
once, and they flat out ignored me and never responded. I guess I just couldn't
figure out how to get my author introduction and manuscript query letter sales
pitch right.
I HATE the submissions
process. Probably because no one takes my pitches seriously or responds to the
and I'm terrible at the submissions process. I'm not good at selling what I do
to a larger audience, or more accurately, the audience of an agency or
publisher or editor. I wrote like, 2 million emails to Jamie S. Rich at the
height of his fame in an attempt to win over the staff at Oni press. As far as
backfires go, that was one of my biggest. Jamie, who I hoped to impress by
writing a lot on some level in emails berated me, said I "crossed the
line", and expressed a whole heck of a lot of frustration, disappointment,
and borderline anger at me. I wasn't treated much kinder on the early 2000s
indie comics message boards for Jhonen Vasquez and Roman Dirge
("Noomoo", "Noom") And especially DeviantART. Places where
I got the most "polite" backlash and venom. It was like witnessing
the murder and assassination of my overly prolific, overly enthusiastic
childhood dreams. But I kept writing, and kept persevering, even though there
wasn't any hope for me in the alternative comics, manga, and "anime on TV
Adult Swim" scenes early on, especially in the online communities. They
hate me there to this day. A lot. To
the point of banning my Spindack handle and all I.P. addresses, passwords, and
emails associated with it "permanently, forever, until the end of time and
we're long past canceled. I was even nice to people at first, but the fans just
ignored, dismissed, attacked, slandered, and mocked me and everything I stood
for, even to the point of attempting to collect all my secrets so they can
merely use them against me. Fucking terrible. They're all elitists and prudes
there. It was an Epic Disaster. Some people in those places liked me, and said
so, but they were penalized by the established system for doing so, talked to
like they were "losers and idiots"
by Adult Swim writers, producers, staff, moderators, and
"fans". That was before I made YouTube and Twitter and they caught
on, so when those rose to power and prominence I finally found a place I fit
in. The communities I myself helped build, and they turned out to be large
communities through Google and whatnot than ANY of the so-called
"alternative communities" I attempted to fit in with early on. I
always had a BAAAAD Feeling and intuitive fearful premonition way back in the
day that the bad apple bad see Jhonen Vasquez and Roman Dirt Vulgar
slang, no-it-all Nerds from the Jhonen Vasquez and Roman Dirge communities
(Immortalizing the Moment and Spookyland) would be a horrible influence on the
unsuspecting politics of the Adult Swim message boards and Megatokyo (all now
overrun by geek nerd cyberbullies with vulgar mouths and perverted tongues)
would get overrun with negativity and ruthless, deceptive, egomaniacal fans
once people started linking to Adult Swim and Megatokyo on Immortalizing the
Moment, and ruin everything, especially Babbling. And I was right. They're all
pure evil now.
Biggest
fanbase = Biggest Fanbase of social incompetent know it all idiot jerks.
"Got the mic in my
hand but can I make you understand, that a-hole bands have a-hole fans"
Those same AV Debate
club bullies, cyberbullies, trolls, snooty bitch slut girls who all made fun of
you and picked on you and thought you were an ugly gay guy retard, in the halls
or on the sports bleachers during gym class in high school, and misogynists who
bullied and pestered you in high school will be the first ones in line for your Comic-Con signing,
or stalk you on Twitter with intentionally ugly "macho selfies" and
wait in line for you for you for four hours to get an autograph. It applies to
comics and animation and anime and manga just as it applies to rock and roll. Just ask Kurt Cobain.
Yeah, not in any hurry
to deal with that.
Special Thanks
Special Thanks to Ms. MJ Offen, for her compassionate writing and stories, for helping me see the light of media forgiveness, and end my personal rivalry with certain, stuff.....
Saturday, May 16, 2015
Alexa Top 100 Top 100 Ranked Sites, Greatest Online Hangouts of Mine
http://www.alexa.com/topsites
Top 100 Most Popular Sites I can be found hanging out at, or at least I can be found there...
Top 100 Most Popular Sites I can be found hanging out at, or at least I can be found there...
·
Google
·
YouTube
·
Yahoo
·
Amazon
·
Wikipedia
·
Twitter
·
LinkedIn.com
·
Blogspot.com
·
Bing.com
·
Amazon.co.jp
·
Google.fr
·
Gmail.com
·
Tumblr.com
·
Google.ru
·
Google.ca
·
Amazon.co.uk
·
XHamster
(HA HA! Lesbo porn...)
Friday, May 15, 2015
Comics and The Narrative and Story
In Comics, The Juxtaposition of Paneled Images and Comics in Sequence, or "Sequential Art" is The Story. The Juxtaposition of Panels on a Page is The Narrative. It doesn't have to make sense or go anywhere. If you ask me, the arrangement of panels in and of itself qualifies each page as a narrative. As soon as you have more than one panel, that panel ceases to be a stand alone illustration or freeze frame and becomes a part of something bigger: A Narrative; A Story.
-JM
After-thought:
I didn't think of myself specifically as a "cartoonist" in the traditional sense, in the beginning, such as the Bill Watterson, Charles M. Schulz, Aaron McGruder, or Jim Davis variety. What with three or four panel horizontally based mini-narratives. To be honest, at the beginning of my career I sort of looked down upon that mode of expression, dismissing it as childish and over simple. It wasn't until I learned the truth about cartooning that I embraced it. That comics and cartoonists aren't JUST newspaper strips. But even when they are the use of "cartoonish artwork" can be used to encompass so much more than that...
To cite some examples:
Walt Disney was a cartoonist. Jean Giraud was a cartoonist. Katsuhiro Otomo is a cartoonist. Bill Watterson is a cartoonist. Jhonen Vasquez is a cartoonist. Dr. Seuss is a cartoonist. Osamu Tezuka and every single manga and doujin artist in Japan is and was a cartoonist. Jamie Hewlett, Evan Dorkin, Paul Pope, Alex Toth, Shigeru Miyamoto, Yoshiyuki Sadamoto, Alejandro Jodorowski, Juanjo Garnido, Dave Sim, Enki Bilal, Bruce Timm, Burne Hogarth, Todd McFarlane, Jim Mahfood, Scott McCloud, Jeff Smith, Ted Naifeh, Craig Thompson, and Frank Miller are cartoonists. Cartooning doesn't have to be relegated to funny one gag a day in three panel newspaper syndicate strips. Cartooning has grown to include manga, bande dessinee, graphic novels, and indie comic books. The only noticeable exclusion in my opinion might be Super Hero Comic Books, as that is the posterchild of the Comic Book and Traditional Graphic Novel Medium. Cartoons can be dramatic, cinematic, experimental, literary, adult, mature, topical, hypercomplex, archetypal, and deep, or any combination or alchemy thereof. It all depends on what the creator and auteur wants to do with it.
It wasn't until later in life that I learned quite a few of the more skill cartoonists not only know how to draw well, but incredibly detailed and layered as well, with what is clearly a mastery of concepts like anatomy, perspective, light and shade, and fabric and costume design, and general design. It's NEVER been just about childish simplicity and talking animals ONLY. That last definition to me feels like a stereotype of the whole medium: A newspaper strip about simple little talking animals ripped off from Disney. I hate that stereotype.
Just because you draw comic BOOKS (especially black and white indie comic books, and/or manga, like a Ted Naifeh or a Jhonen Vasquez) does not mean you're disqualified AS a cartoonist. It's all about the mentality and discipline you approach your schedule and work with...
Cartoonists:
-JM
After-thought:
I didn't think of myself specifically as a "cartoonist" in the traditional sense, in the beginning, such as the Bill Watterson, Charles M. Schulz, Aaron McGruder, or Jim Davis variety. What with three or four panel horizontally based mini-narratives. To be honest, at the beginning of my career I sort of looked down upon that mode of expression, dismissing it as childish and over simple. It wasn't until I learned the truth about cartooning that I embraced it. That comics and cartoonists aren't JUST newspaper strips. But even when they are the use of "cartoonish artwork" can be used to encompass so much more than that...
To cite some examples:
Walt Disney was a cartoonist. Jean Giraud was a cartoonist. Katsuhiro Otomo is a cartoonist. Bill Watterson is a cartoonist. Jhonen Vasquez is a cartoonist. Dr. Seuss is a cartoonist. Osamu Tezuka and every single manga and doujin artist in Japan is and was a cartoonist. Jamie Hewlett, Evan Dorkin, Paul Pope, Alex Toth, Shigeru Miyamoto, Yoshiyuki Sadamoto, Alejandro Jodorowski, Juanjo Garnido, Dave Sim, Enki Bilal, Bruce Timm, Burne Hogarth, Todd McFarlane, Jim Mahfood, Scott McCloud, Jeff Smith, Ted Naifeh, Craig Thompson, and Frank Miller are cartoonists. Cartooning doesn't have to be relegated to funny one gag a day in three panel newspaper syndicate strips. Cartooning has grown to include manga, bande dessinee, graphic novels, and indie comic books. The only noticeable exclusion in my opinion might be Super Hero Comic Books, as that is the posterchild of the Comic Book and Traditional Graphic Novel Medium. Cartoons can be dramatic, cinematic, experimental, literary, adult, mature, topical, hypercomplex, archetypal, and deep, or any combination or alchemy thereof. It all depends on what the creator and auteur wants to do with it.
It wasn't until later in life that I learned quite a few of the more skill cartoonists not only know how to draw well, but incredibly detailed and layered as well, with what is clearly a mastery of concepts like anatomy, perspective, light and shade, and fabric and costume design, and general design. It's NEVER been just about childish simplicity and talking animals ONLY. That last definition to me feels like a stereotype of the whole medium: A newspaper strip about simple little talking animals ripped off from Disney. I hate that stereotype.
Just because you draw comic BOOKS (especially black and white indie comic books, and/or manga, like a Ted Naifeh or a Jhonen Vasquez) does not mean you're disqualified AS a cartoonist. It's all about the mentality and discipline you approach your schedule and work with...
Cartoonists:
- Release comics to the public both consistently and often, even if its just for a limited time on a limited budget. Be it the internet, self-published books, or newspaper strips. Makes no difference. On a certain level there is a commonality.
- Spend every day drawing. The Daily Discipline. Hitting the sketchpad or drawing and writing desk every day of your life. It makes no difference whether your Bill Watterson or Dave Sim. They draw every day, for much of the day, without compromising, and often alone.
- Drawing in a style that's dynamic and make us think of Cartoons and Animation, or as is the case in Japan: Anime.
- Drawing the same characters, situations and stories over and over again, continually, for YEARS, sometimes DECADES if not half a CENTURY. (Stan Lee and Charles M. Schulz' Peanuts and Charlie Brown comic strip comes to mind)
Monday, May 4, 2015
New Store: The Bande Dessinee Store...
Bonjour!
So in case you do not know, I recently opened the United States' very first French Centric Comic Book, Retailer, The Bande Dessinee Store. The store is stocked from head to toe with BD Albums and Tomes.
So in case you do not know, I recently opened the United States' very first French Centric Comic Book, Retailer, The Bande Dessinee Store. The store is stocked from head to toe with BD Albums and Tomes.
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