“One
Sunday morning in the spring of 1932 I was hiking through the Rhine
Valley. With a pack on my back I was wandering down a quiet country
road among flowering apple orchards near Koblenz. Suddenly a car
appeared and came down the road very fast. It was jammed with people.
Almost before I had taken full notice of it, I realized it was coming
straight at me and instinctively jumped into the ditch. The car
passed in a cloud of leaflets and from the ditch I glimpsed its
occupants, six or seven youths screaming and shaking their fists.
They were Nazis, and it was election day. I was being invited to vote
for Hitler, who was not yet in power. These were future officers in
the SS. They vanished quickly. The road was once again perfectly
silent and peaceful. But it was not the same road as before. It was
now a road on which seven men had expressed their readiness to
destroy me.
That
was about the closest I ever really came to direct contact with Nazi
violence in its overt form. What this novel is about is really
something different. It is about the crisis of civilization in
general, and the Germany it deals with is largely that of Bismarck
and the Kaiser. It is the Germany that accepted Nazism. Nazism itself
was beyond me!
The
book was written in the summer of 1941, when I was teaching English
at St. Bonaventure University. I wanted to enter the Trappists but
had not yet managed to make up my mind about doing so. This novel is
a kind of sardonic meditation on the world I which I then found
myself: an attempt to define its predicament and my own place in it.
That definition was necessarily personal. I do not claim to have
gained full access to the whole myth of Europe and the West, only to
my own myth. But as a child of two wars, my myth had to include that
of Europe and of it falling apart: not to mention America and its own
built-in absurdities.
Obviously
this fantasy cannot be considered adequate statement about Nazism and
the war. The death camps were not yet in operation. America was not
yet involved. The things that were to come could, at best, be guessed
at never have imagined the inhumanities that soon became not only
possible but real. In the face of such things, this book could never
have been written so lightly. Therefore the reader must remember that
it was dreamed in 1941, and that its tone of divertisement marks it
as a document of a past era.
What
remains actual about it of course is this: the awareness that, though
one may or may not escape from the Nazis, there is no evading the
universal human crisis of which they were but one partial symptom.”
Abbey
of Gethsemani – January 1968
Author's
Preface
Thomas
Merton
My
Argument With the Gestapo
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.