The truth about me and power is, we're good friends. Yes, I'm very powerful. But truthfully, I'm not technically obsessed with power. I'm just very good at controlling power, and I'm good at sensing and being aware of chi, energy, or "power levels" in things and people when they cross my path. I have a certain kind of psychic or 6th sense for spiritual, emotional, and physical power. I'm both very powerful and very aware of power, especially power in others.
Tuesday, July 31, 2012
Monday, July 30, 2012
Clocking in At The End of the Month
Okay, if I count the amount of Art Journals, Sketches, Drawings, Comic Book Pages, Script Pages, and Fiction Pages I've created this month, between July 1st and July 30th.....
My output amounts to around 215 pages of art and writing material for the month of July, so that's 1 month of output and productivity I've been keeping track of so far.
So technically I'm producing a book a month for July.
Sunday, July 29, 2012
Followers: Put the Peddle to the Metal
"Huh. They still followin' us?"
"No. Pretty sure they're not."
"Good. I think we LOST EM in all the subplots."
"No. Pretty sure they're not."
"Good. I think we LOST EM in all the subplots."
Saturday, July 28, 2012
Random JM Art Lesson: Artwork With "Appeal"
There's a qualitative
element of drawing which I like to call "appeal". If a drawing has
beauty, is aesthetically pleasing, or is dynamic and pleasing to the eye in
general, than it has appeal. Appeal is not to be confused with detail or complexity,
as there are plenty of detailed drawings that are still nonetheless very
aesthetically unappealing and ugly. When you draw, it helps to be objective. Do
you get a gut reaction from your art that tells you in your gut your drawing is
pretty to look at, fun to look at, or aesthetically pleasing in some way? Then
yes, your artwork or a part of your artwork has appeal. Don't just like
drawings because you drew it yourself. You have to be able to objectively sit
back and say, if I was a stranger who never saw any of my work before, I'd
still say I like the way this artwork piece looks. THAT...is the nature of
appeal.
Manga and Indie Comic Books, and How They're More Alike Than We Think
Article:
American
Indie Comics & Korean and Japanese Manga
Seperated
At Birth?
Similarities
and Commonalities
Growing up, the two
types of comic books I read the most were not fantasy and superhero, but
instead black & white, pen & ink indie and manga comics. It wasn't
until after I had been reading both for a while that I noticed how similar they
were in certain ways, particularly in format.
·
Both used finely drawn and rendered pen
and ink artwork
·
Both were designy and stylistic
·
Both could be dark and fanciful
·
Both used a lot of black ink and a technique I would later come
to know as "spotting blacks"
·
Both were in black and white and used
black and white artwork for the majority
·
Both dealt with mature and adult subject
matter like violence and sex
·
Many indie comics creators such as Frank
Miller, Scott McCloud, Jhonen Vasquez, Paul Pope, and Rob Schrab modeled their
sequential art after the kind found in manga.
·
Both mediums, genres, and style use a
creator-friendly approach, where the creator approaches panel design like a
filmmaker and auteur.
The main difference
between the two "different" mediums was not so much format but genre
and style. Their design forms looked different, and yet they share so many
similarities.
Manga and American indie comics are often one and the same, especially in format.
Friday, July 27, 2012
Thursday, July 26, 2012
Drawing and Writing
Writing has always come naturally to me. I'm naturally inclined to write, just as I am naturally skilled and talented at writing and words and driven to write. I don't need a million compliments just to know I can write.
And yet I have such a difficult time drawing much of the time. I'm not naturally skilled at art the way I am with writing. Drawing is 100% work. Writing is 100% play. It really is that simple.
Drawing Progress comes slower than literary progress.
Drawing Progress comes slower than literary progress.
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