Friday, September 30, 2011

Internet Power...

Truth is, yes the internet gives you a lot of power. Though I don't normally bring it up, yes, the Internet has given me a lot of media-based raw influence and power. I'm a new generation of powerplayers, who have tons of power, but not money to go along with it.

Because Technology online literally gives a lot of power to people young and old who wouldn't have any otherwise, perhaps even for an entire life time, power newbies, as I like to call them, will sometimes cyberbully other people online and abuse what little and inferior amount of power they acquired in such a limited amount of time. The vast majority of the time, these power newbies are so power mad and high on power that they'll abuse their power repeatedly, to get their way, by manipulating or scaring others and intimidating/manipulating those in their little sphere of influence with fear and bullying. This is not cool, and it mostly backfires in disasterous ways, often landing said individuals in places like jail or juvenile detention, (and sometimes, even seriously hurt or dead) where they're anything but prepared for the suffering the results of this abuse will bring them.

And the thing is, I'm more powerful than all of them. Not saying how I got to be this way, but I am. So when they attempt to manipulate me this way, I'm blatantly aware of the fact that they ARE a power-newbie. Most of the time I don't try to fight back in hopes that they're not as hell bent on killing themselves through me as they look on the surface. Sorry Kevin Smith. Not really.

Anyway, power dynamics and politics on the internet is a new subject. But not so new that I have no experience in that area. I do, but unfortunately most people are ignorant of either A) Technology's power (and therefore they mock it or deny it exists, quite confidently I might add), or B) It's function and the scope of its sphere of inlfuence. That's why I don't advertise my power. You never know what kind of reaction you're going to get from people, whether they're trying to sabotage you or seduce you, sexually. It can be hazardous territory. In a way, it's like having a lot or money, only with influence.

In other words, you're not going to win if you want to boss others around, attempt to make other's less popular on purpose, or last and very much not least, attempt to hurt others maliciously using your power.

Bertrand Russel needs to update his little power book with a chapter on "technology power".

There are ways to attain my kind of individual power. Not all of it is a "miracle" though some probably is.

You can attain a lot of power (over time) through:
  • Hard Work, Discipline, and Will Power
  • Humility
  • Being present to a lot of people all of the time
  • Being in the right place at the right time (like on the internet during its biggest growth period)
  • Not betraying those loyal to you. Treat people who believe in you well
  • Practicing your craft on a daily basis
  • Never fully believing the hype about yourself, or letting criticism or lies/slander/libel generated about you get to you
  • Being original. "Do your own thing. Not someone else's". It will show.
There are ways to reach this level. It's not all mystical magic and miracles.

Eh, who cares. I don't care about bitches that much. Moving on...

Why waste time arguing with people who aren't really even a real part of my life anyway?

Thursday, September 29, 2011

Conspiration Conspiracy Theories

I'm not sure when or why the world began conspiring against me in an epic organized effort to stop me from picking up a sketchbook and filling it up with hideous art, using ANY MEANS NECESSARY (no matter how genocidal, destructive, racist, or epically conspiratorial.). I just know they DO conspire against me. But picking up a sketchbook and filling it with forms isn't THAT hard for me, fortunately. Even if it is a conspiracy that reaches the highest levels according to some nerd's conspiracy theories. All I know is I've got a job to do. You play no part in that really, whoever's reading this, so never you mind. Retirement's for when you die.

Maybe TV's to blame. It brainwashes everybody with propaganda. What you really want to do is capture your visual impression of whatever's appearing on the TV, whether it's a TV show or a DVD, with a pencil, in your sketchbook, day and night. For the good of humanity.

It's kinda weird, but not bothersome though. This afternoon, when I was in the midst of drawing 5 thumbnail pages of comics art, when I reached the 5th page, suddenly a near-painful amount of blood pressure went rushing to my hand all at once, almost like some malicious supernatural black magic force from a distance was attempting to control my hand and stop me from sketching productively, something I haven't done in a while, apparently for reasons like this. Paralysis VOODOO?? Paralysis Ninjitsu?? You say? You be the judge. It's weird, I've never had too much blood rush to one of my hands when I've been at the word processor, like ever. Its almost like someone, some presence is trying to use supernatural forces to paralyze me and stop me from drawing. So what do you guys think? This theory a little too far out there? Little too paranoid. Odd that it happened right as I was drawing. Weird. Almost too good of timing to be a coincidence or random occurence if you ask me, considering I am a bit superstitious. Well, I beat that paralysis voodoo/ninjutsu/Dark Side Mind-Hand Tricks, so fuck you whoever's doing that! HA! 5 pages bitchnuts.

Wednesday, September 28, 2011

Bonjour! Contemporary French Comics Class 101 is now in Session!

2011, Viva La France

About French Comics & Manga, or "Franime"

I couldn't help but notice the difference in the American comic book & graphic novel market as it relates to Japanese anime and manga, and the French comic book & graphic novel market as it relates to manga, or at least the differences I've seen in stores like the American and French editions/versions of Amazon bookstore online, which is pretty much where most people shop for comics of any sort now anyway. Or at least, that is where I go to buy comics mostly, with rare exceptions.

First let's talk about the similarities and interactions between French comics and Japanese comics. Both French and Japanese comics take an extremely layered, extremely eloquent, technical, and delicate approach to background perspective and linework or "line weight" in terms of inking.

Both French and Japanese comics tackle the science fiction (SF), science fiction fantasy, and heroic fantasy genres equally well, and have cottage industries (correct term?) around such genres. Quite a bit more so than most publishers and comics in the United States that aren't Dark Horse.

Artwork in both French and Japanese anthologies, in both cases, is often quite beautiful to behold and look at. Both industries (French Tomes and Japanese manga tankobon and anthologies) influence each other and appreciate one another, a mutual cross-polination and cross-cultural respect.

American "OEL", or "world" manga is quite a bit more new and less established internationally than Japanese manga and French Tomes in certain ways.

Definitley a growing and expanding part of the overall international comics industry though. Looking forward to seeing how it develops. Keep up the good work, French and Japanese comics artists! Big fan here.

Tuesday, September 27, 2011

Finding Actual Watchable American-made shows...

There really hasn't been a watchable American-Produced-Directed-and-Animated TV series since AT LEAST Thundercats (2011), Generator Rex, Star Wars: The Clone Wars, Avatar: The Last Airbender, and Adult Swim. Other than that it's been a barren wasteland on TV in terms of American-made animation, dating back until at least the six years between 2001 and 2006.

Shows made in the 90s are still very watcheable, as are many French shows and Japanese anime.

But we all know it will be a snowball's chance in hell that we'll ever see those amazing OTHER shows on air now, or any time soon, if ever at all. I think it has to do with broadcasts and networks on TV themselves actually being lazy enough to say "Eh, we don't want to rebroadcast cartoon shows that are 20 years old, or import good looking shows, or making anything new that looks all that cinematic. Just go buy the DVDs and help us out dudes. Why? Becuase we're fucking lazy and hate you all."

Gee, how courteous these TV people are, aren't they?

Sunday, September 25, 2011

"Aging" n' Stuff

Apparently, Morgan Freeman actually has an acting career so established and ancient, it goes back further than my entire family tree. Was watching a Documentary Channel Documentary episode on him, and that’s impressive. In my opinion it’s not just about being successful or having a hit, it’s working on a lot of stuff over long amounts of time too, entire series of decades, like 20 years spans at a time. Same thing with Peter Cullen and all the rest. Adult Swim and even Toonami are actually pretty young in terms of broadcasting history and Hollywood historical standards. Sometimes a 20 year career history doesn’t even start until you turn 30 or so. Sometimes even 40. I’m just now starting to realize this. I’m getting older. Anyone who’s career predates my birth year (1983) I’m 10 times more likely to respect, worship, and appreciate than any of these “Young Hollywood Tikes”. I mean, yes they’re successful, but they haven’t even been alive as long as I have. How wise could they be? You too DeviantART…


Shallow or Superficial Popularity and How it Drives Business Sales...

Unfortunately, the rage of the good entertainment of the 90s has died off, making many people who HAD an edge in the 90s LOSE their edge, and as a result, their profits and sales as well.

Unfortunately, in the post 2010 era, popularity sells. A lot more than presence. Hell, I'm here every day and EVERYONE sees me, but do I have ANY money. Nope. For the obvious reason that I have no detectable popularity or fan following, or "the bad guy", and the "bad" guy loses money, he doesn't make money in the showbusiness world.

Tragically, you won't make a profit if the press/fans/internet lashes out at you, or doesn't like you, or doesn't percieve you as some form of a mindless idiotic-groupie magnet. More losers than ever are succeeding because they're popular, and yet they're also these annoying and ignorant and talentless hacks with no real technical proficiency.

Apparently the high school "in-crowd" at your local high school has gone mainstreams, as has the psychosis and sociopathology that accompanies it.

Saturday, September 24, 2011

The Look-Alike Retard Clone Epidemic: Blackface Plague

I used to wonder if the kids I went to school with would recognize me if they saw one of those look-alike things on TV, looking like I look now and putting words in my mouth, on TV.

I'd be more worried the peers I grew up with would be getting the wrong image of me like that, but then every time I see some guy with thick black glasses, I realized, no one who grew up with me and attended middle and high school with me would actually see or recognize my former likeness in that, seeing as I didn't start wearing glasses or gain weight until well after I had stopped attending college. The version of me my peers recognize had a similar facial structure to the one I have now, but it's a Clark Kent - Superman situation.

*Wears glasses* - Girl on street: "Wow sexy stranger, who are you? Didn't I see you on TV?"
*Takes off glasses* - Girl "JM??? Is that YOU??? I haven't seen you since Middle school! When did you start wearing glasses? What have you been up to all this time? Are you a famous artist yet?"
*Puts glasses back on *- Girl: "Where'd JM go??? Oh, it's that nice man in glasses again! How are you today good sir? Have you seen JM? I'm looking for him. You obviously aren't him, but I thought you might know where he is, seeing as you two are living in the same city."

Funny : )

Friday, September 23, 2011

YouTube on TV Every So Often (ESO)

I was watching Generation YouTube on ABC’s 20/20. If there’s anything I take away from that encounter, it’s that the internet revolution I helped build is probably a whole lot bigger than I tend to give it credit for. A whole lot bigger. YouTube, Adult Swim, Toonami, Google, DeviantART, Twitter, Blogger. It’s all quite a bit larger in scope and influence than it looks on the surface. Youtube and the revolution is epitomizes is one of the biggest revolutions in the history of the world. I’m glad I could be a part of it, even if it is “quasi-anonymous success”. They sure as hell recognize me on the TV shows I watch though.

Does this blog actually have any readers yet?

Dunno! Maybe maybe not. I've had bloggers block. I write tons of stuff everywhere else, just not on blogger. Kind of gives me Michigan Jay Frog syndrome.

Wednesday, September 21, 2011

Here are some of the most influential shows and anime of the last eight to ten years...

Metalocalypse
The Boondocks
Star Wars: The Clone Wars
Robot Chicken
Ben 10
Danny Phantom
Naruto
Gundam
Yu-Gi-Oh 5Ds
Generator Rex
Cowboy Bebop
Samurai Champloo
Thundercats 2011
Monster (anime)
Naruto Shippuden
Ghost in the Shell: Stand Alone Complex
Code Geass
Blood Plus
Bleach
Death Note

Tuesday, September 20, 2011

Know what's one thing I don't get?

Why are there no TV and film production design, architecture, and background design art galleries online, that are labeled as such. I can't be the only guy who likes to look at cities and architecture in art form, can I?

Monday, September 19, 2011

The Changing Face of Publishing: From Print, To Digital, to Simultaneous Print-&-Digital

Technology is creating a revolution in publishing, one I didn’t notice before, before I read an article about it in TIME magazine.

There will be a YouTube and DeviantART of literature one day, and no I’m not talking about Fanfiction.net or just Goodreads. It’s about more than recognition, sales, or respect. It’s about altering the face of publishing distribution. Traditional print, the printing press, books, and printed out paper publications, be they books, comic books, or magazines, are going to be increasingly digital. This newfound movement on the internet is going to be called New Publishing, and it’s a partial offshoot of the Web 2.0.

Old Publishing is print books on paper, print comics on paper, print magazines on paper, and bookstores. It’s writing querie letters to agencies, and getting paid.

New Publishing is like anime and hip-hop all over again. It’s you selling copies of your latest book straight out your trunk, just like early hip-hop musicians sold mix-tapes out their trunk, and early otaku traded VHS tapes of anime shows out of their basement or room or whatever.

New Publishing is Amazon, Amazon Create Space used to upload and sell Word prose and fiction writing documents straight from your computer through a Kindle Digital Reader. It’s Print-On-Demand self-publishing like Lulu, Art websites like ArtFlakes and DeviantART, and high quality hidden gems that you can access through websites you stumble upon that were created either by marketing staffs or the creators of the works themselves being showcased. It will also be about linking, Blogging, Tweeting, Banner Ads, And it is about getting paid if someone notices you and enough people actually want to purchase copies of your digital print materials.

Either way, this looks to be a fun and democratic next Millennium for Publishing. Hopefully it will turn out good like YouTube has.

Sunday, September 18, 2011

The "New Anime" Problem(s)...

Recently, Japanese animation screenwriter Dai Sato spoke out against Japanese screenwriting recently, stating that many Japanese have “lost the appreciation for unique strorytelling, and that the Japanese have grown to prefer cute, superficial stories in place of those that deal with reality and real problems.”


The reason this trend in anime disturbs me so much is because every time I see it, it reminds me of why anime sucks now and I don’t like most anime anymore. I used to watch anime in the 90s for the very things I could get away from Disney with: Violence, sexual angst, detail, dark stories, angst, technology, architecture. Those were things you wouldn’t find in Disney. Now when you watch the first anime someone online recommends to you, it’s like “Jesus Christ all this is, is watching MORE Disney. Cute, colorful cliché, superficial, faggy, pussy shit.” Dear God, somebody please fucking kill me.

Things People Don't know About Japanese Business: Lesson 6

Most books on Japanese and Chinese business will tell you that there is a deeply ingrained tradition of family owned and operated businesses. Japan is no exception. Actually, Japan sets the standard for that sort of thing.

There's not only a slim chance the Japanese will hire "foreign creators and writers", ESPECIALLY "amateur and unproven ones with no track record of being mainstream or bestselling". It's not just unlikely, it's impossible, it doesn't happen. The Japanese read some foreign comics, but many don't like them, and that's about as far as they go. American writing of young writers is about as popular with the Japanese anime industry as the Japanese publishing industry is with the high-bro American literary community, which is to say, there's no interest there in any way whatsoever.

Japanese business (yes cinema and television business as well) has a strict and cherished business philosophy of "keep it in the family, and AWAY from American foreigners".

Achieve something good on AMERICAN TV or in AMERICAN publishing (books OR comics). Yes, that is still possible, but it takes an entire lifetime of discipline and work. American business is not family owned and operated the way Chinese and Japanese  businesses are. American media companies hire people they know and/or people whose agents submit quality work to them. You may be talented as a writer or artists, but the Asian industry is full of what I like to call "cultural landmines". Venomous traps that if stepped on accidentally, will more than likely cripple your chances of EVER being "big in Japan". Abandoning your own home country is not the answer to creating quality books, comics, and television or film or animation. Geographical self-hatred and self-loathing is nothing but self-SABOTAGE.

Welcome to the Internet

Land of communicating telepathically with Asian people who consider you their "pal" online, but who would probably ban you from their country if they met you in real life.

"Uh, hi? So, uh, Ch-hin-soo-ying? How bout those...football teams. They have an Superbowl and NFL in Japan, right? Oh."

Saturday, September 17, 2011

Photobucket and the old drawing board...

Somehow I've managed to shake off my demons and fatigue, and have ended up sitting at the drawing table more than usually, as opposed to lying in bed watching cable TV, Alfred Hedgehog, and CW4Kids all morning and day. Yeah, that's right, I watch Alfred Hedgehog, bitches. I see nothing wrong with this. It's a great entertaining kids show. Fun to play as background noise and soundtrack during the day, where I'm not really watching it so much as letting it be the soundtrack to the paper I'm looking at as I'm tracing over it to clean it up with a lightbox. More enjoyable than you'd initially think upon not doing such a thing.

Aaaanyway, Spongebob got beat up by ladies today. Freaking hilarious. Maybe I'm a bad influence *deletes stab at popular TV shows post*

"Webcomics Nation"

What a gip. If I keep drawing comics at the rate I've been going on, I'll probably stop uploading to Webcomics Nation altogether. I've grown fed up with that site, and if my comic page drawing rate keeps up, I'm considering not uploading to that site at all, primarily because it's a black hole. Not as bad as DeviantART, but still, pretty bad.

That is all...

Friday, September 16, 2011

How to Be "Intiutive", the JM Way. A psychic survival guide

Psychic test. Here’s one way of being intuitive: Go about your day, observe lesser actions, and when you’re expecting someone to do something, or some action to take place, but aren’t entirely certain that it will, tell yourself, “If I turn on the TV and Show A is playing when I hit the power button, then Winter is going to be awesome. If I switch on the TV and it’s show B or any other show for that matter, the rest of the year is going to suck, so I’d better prepare". Being intuitive often amounts to merely playing a guessing game with the outcome of actions you aren’t entirely in control of. This technique (psychic intuitive, call it what you will) is one I’ve used for a while now to determine intuitive decision making. This technique of foreseeing events through intuition is a good way to test proof of events and actions before they happen. Adjust your schedule accordingly.

HOW can I know I've passed this self-applied Intuition test?" You ask?

Shouldn't it be obvious? Simple. If the answer to your question turns out right the vast majority of the time, congratulations, you're like me, the NF and/or NT. An intuitive.

Tuesday, September 13, 2011

Masters of Magic: Fantasy Grand Masters

  • Walt Disney
  • JRR Tolkien
  • JK Rowling
  • J.M. Barrie
  • Steven Spielberg
  • George Lucas
  • Robert E. Howard
  • Michael Moorcock
  • Osamu Tezuka
  • Tim Burton
  • Jhonen Vasquez
  • Fritz Lang
  • Lewis Carol
  • Dr. Seuss
  • Stephen King
  • Jeff Smith
  • John Lasseter
  • Rankin-Bass
  • Otomo Katsuhiro
  • CLAMP

Comics Art and Suffering

Comics are in fact just what I’ve noticed as I’ve created them. Each panel and page is a lot of hard work over a long period of time. If comics are made quickly and easily, it will show. Slow, tedious, and painfully laborious work is the only way to go. Comics are suffering. Art is suffering. It takes suffering to create good art. If you draw, you will suffer and feel pain, if your any good.

Monday, September 12, 2011

What's Happening?

It used to be there were a fair amount of artists who liked to keep there drawings to themselves. A secret and all that. Young artists growing up today that the internet never used to be a showcasing option. So instead of only having 3 people looking at your artwork, which is the case now on sites like DeviantART, a whopping NO ONE would look at your art when there was no internet to showcase it on. I miss those days. Maybe I'll go back to my old art concealment ways, and not show my art to anyone. I'm sick of trying to figure out what YOUR reaction is.

Not Even I Could Accept The Fact That I Actually Do Have Talent At Art

I remember I used to lack confidence, and lots of it. Even when I drew an amazing drawing, looking back at my journals I had trouble accepting my own ingenuity as a reality.

For instance, when I drew this in an art class when I was 17 years old:


I thought it was a fluke, and proceeded to write the following about it in my private journal:

"It looks beautiful, like it wasn't drawn by me (knowing what I'm capable of) but instead was drawn by a professional and accomplished artist who had superior draftsmanship skills."

That's the thing about ingenuity. When it first manifests in your art and writing. If you do a hyperliterate or hyper realistic or hyper detailed page or form, when it first manifests itself right under your nose, if you're anything like me, your humility won't even allow you to feel like you can take responsbility for it. You don't recognize yourself in it anymore. "No, this can't be me. This must have magically been put on my page by an artist far more ingenious, far more work-intensive, and far more talented and visionary than I could ever hope to be. No way I could have produced such a masterwork. People have to actually believe in your abilities for that to happen, right?". WRONG! If you have talent, you have talent. Period. Accept it or retire and be grateful that God gave you as much talent as He did to begin with. There's a certain mind-boggling disassociation that goes with creating high level art and writing. You don't want to accept the fact that you're capable of rivaling the best of them, which you are of course. Great talent is often accompanied by great self-doubt and years of post masterwork self-skepticism.

Saturday, September 10, 2011

9-11: 10 Years, 1 Decade Later

Writings on September 11th, 2001
By J.M.
Foreword
On the evening of September 11th, 2001, on the day of the attacks in New York City on the World Trade Center by Muslim terrorists who were masterminded by Osama Bin Laden, a true villain and monster of history whose evil legacy rivals that of Adolf Hitler, the moment I got home from work and school that day, one of the first things I did was write in my journal, I had a feeling that day meant a lot of very sad, very bad things, but I also knew—even back then before everyone had the whole thing sorted out to a degree—that I had to contribute something, I had to do something, I had to write about it. I was uncertain of how I could contribute to this national—and ultimately, international—loss and historic event. So I did what I knew how to do best: I wrote. Here is my account of those events, written 10 years, a decade, ago, on the very day of those events.


September 11th, 2001
Today is a sad day. It’s a day of tragedy and the starting point of future remembrance. If the people of this country need compassion and support (including my own support of them, which will be without question), they definitely have it. And so the tragic story begins.

This morning the World Trade Center near the center of New York City, was hit by terrorist attacks, and is now nothing more than a firing and smoking pile of debris, but I didn’t truly realize how serious the situation was until I got home from school and saw the morbid, World War III-esque, apocalyptic, and horrible images being broadcast on nearly every channel on my satellite TV. The number of victims and dead people is estimated to be reaching the tens of thousands. Intelligence officials believe the terrorist attacks are believed to be related to a terrorist group led by the Middle Eastern terrorist Osama Bin Laden. The images on television looked big and monstrous. When I first heard of the events at school when the teacher announced what had happened, to the entire class, I didn’t even technically know what the World Trade Center looked like, (even though now the two buildings are completely demolished), and didn’t think it was that big of a deal at first. I didn’t know it was those two towering buildings that you always see in wide angle shots of New York City. As a matter of fact, I assumed it was just another over-hyped news story, but now I realize it is a monumental historical event and a world crisis. Leading members from nations all over the world are offering condolences to the United States. The terrorists hijacked four commercial airlines and crashed them into the New York City World Trade Center buildings and the Pentagon. President Bush was in Sarasota, Florida when this happened (how ironic). When I looked at the news on TV, it looked like a monstrous nuclear bomb was set off in the heart of New York City. It was undeniably frightening
You could see people falling to the ground from near the top of the building, the cameramen were running to avoid being consumed by smoke and debris, as were all the people on the streets that went as far away as a couple blocks from the World Trade Center, people were bleeding and mangled, screaming, crying, hiding behind cars, on the ground, many of them covered with dirt, ash, and dusty material. Innocent people form all walks of life have died because of this. Seeing the whole thing and getting a sense of it made me absolutely sick to my stomach. This was an unprovoked attack, and these terrorist attacks consisted of considerable amorality and evil. These terrorists are misguided. New York City mayor Rudolph Giuliani and the British Prime Minister delivered eloquent speeches trying to comfort the American people. This is a time when are allies are going to have to show their true support and when we see if George W. Bush can really hold his own. And if he really was a good choice for this country. I agree that whoever is responsible needs to be punished and feel the consequences of their actions, of their unprovoked attack. Not because I hope for vindictive things, but because the United States, the strongest and most powerful nation in the world—but apparently also a vulnerable one—needs to send a message that these kinds of actions and irresponsible foreign act of war are not acceptable. No amount of malice, evil actions, wrong actions, and hatred of this level is “acceptable”. They, the foreign people, don’t deserve this type of sabotage, and neither do we. So as a classmate at my school asked me, “What’s Einstein’s opinion on this?” and apparently he was making reference to me and I guess since I’m a thinker to people I know, I should at least try to come up with an answer. At the time I tried to give a philosophical response, so I replied by saying “Conflicts are an invariable part of human  existence.” But of course I think  the problem goes much deeper and gets more complex than that. It raises a lot of questions, including moral ones, about now and the future of the world. Were the terrorists Afghans who committed this act connected to Osama Bin Laden? Was Osama Bin Laden directly responsible, and did he motivate the attacks? If so, how big of enemies are the United States and Afghanistan now and then? Keep in mind that I walked into my workplace today, and asked someone if he saw the news today, and my boss said “Don’t make me kill you. I’ll kill you right now. I come from New York.” I was confused and said “huh?” and he said I looked “like ah’ Middle Eastern person,” and I understood, but was shocked he’d respond in such a malicious way verbally, that my own boss would actually make a death threat purely based on how I looked to him at the time. This really helped me to get a gauge on how big the underlying societal international tension is right now. Is terrorism the new world evil, even more menacing than war? What was the reason for such an attack, if any? Will this change the way people in this country live? Is our security good enough? How big of a historic event will this be from now on? Many say it reminds them of “Pearl Harbor”, or that it “looked like something out of a movie.” Combine that with the fact that this is the worst and most heinous or merciless act of terrorism in U.S. history, both contemporary and ancient. Worse than many other news stories of the last decade in time—Worse than practically everything. Will the United States and whoever’s responsible go to war, and even if we don’t, how bad will the U.S. retaliate? What’s the Buddhist perspective on this? How does this coincide with the path to enlightenment or Nirvana?
So here’s my take on the whole thing:
I realize that these acts of violence are horrible and amoral, but despite national security paranoia going on across the country currently, I’m not going to let this fear that seems to be in at least a little bit of everyone stop me from living my life. We must not let lack of hope, or the feeling of fear consume us, otherwise why would we want to continue living? I have no need to fear or worry about what I cannot change or take control over. I simply acknowledge it. Nothing more, nothing less. I don’t fear fighting or battle. If this country goes to war, we can rest assured and confronted that our many American allies, the foreign allies of the United States, as well as God perhaps, will be there for us, standing with us, supporting us and backing us up. We will have ourselves as well. We have the power to go on with our lives and recover and Heal from this tremendous tragedy and as long as we don’t let it pierce our spirit. I saw images on the news that showed Middle Eastern citizens outside doing mad celebrations in the streets, burning American flags in the name of this “victory”—which is anything but—even though no one has won this battle. People are dead. Period. There are no winners in war. In the event of war, collectively, all we end up doing is mourning the deaths of the ones who have died fighting, and condemning the lives and acts of the ones who have killed them. There are no winners in the act of war. Only people who live, die, and survive(d). Since we live in a contemporary society, one would think the world would have transcended such brutish acts as war and national attacks, a long time ago, but as it turns out, such is not exactly the case today. It is truly one of the saddest days in American history. It symbolizes more than merely the collapse of two buildings and the deaths of many. It symbolizes the attempt to suppress and oppress both freedom and democracy, and today is more than a day of Tragedy. It is the day of reminder of an example that proves that the act of oppressing and suppressing freedom, liberty, and democracy is truly an evil act, and that it has taken many lives to do nothing more than manifest or demonstrate that the act of oppressing free societies has taken more lives than one could ever count over nearly a lifetime. Today has made me a little sadder, but also made me a little stronger in spirit, and a little wiser about very important things, like getting closer to attaining world peace. I’m not sure if we’ll ever actually attain this goal, but we can at least strive to get a little closer to it
I guess apparently the America, this great nation I live in, has been brought to its knees, for now.

Wednesday, September 7, 2011

Fanfic Story idea, Horror Story: Jason Vorhees Gone Wild

The life and times of a young hacker-entrepreneur who is employed as the webmaster of a “webcam hacks” website is stalked and killed by famous rapist-murderer JasonVorhees who finds out about his operation and henceforth sets out on a sociopathic revenge mission to hunt him and kill him, upon getting listed on his site. The webmaster is decapitated and dismembered with an ax by Jason Vorhees at the end of the story.

The Asian-American Market

It's not just the publishing world that likes Asian art and culture. It's the digital world as well.

I'm a voracious reader and collector of pop culture, or quasi-pop culture. Anything weird and designy, funky and/or epic, cinematic, literate, and mythological I'm into. Asia: Japan (and to a lesser degree, China and Korea) produce such art and literary styles by the boatload.

I know there's a market for American and European works of Asian origin or influence. I know this for a fact because I'm part of that market demand.

Some books I've seen lately that reflect this demand:

  • Fight Choreography: The Art of Non-Verbal Dialogue by John Kreng (Chinese-American Choroegraphy pro reveals many secrets of Asian cinema fight scene choreography in this book)
  • Drawing Cutting Edge Fusion: My parents bought me that book as a gift. Fun light art reading.
  • How to Draw Manga: Series that covers just about all the fundamentals of anime/manga drawing/design
  • The Manga Start-Up Guide: Pen and Ink (has a Trigun cover). A bit more advanced.
  • The Asian Influence on Hollywood Action Films by Barna William Donovan (one of my all time favorites. Takes a Western literary scholar approach to the best kind of action movie there is: The Asian Kind)
  • The Art of Osamu Tezuka: God of Manga: One of the best Coffee Table Biographical books on an artist to come along in a long time.
  • Akira Club, by Katsuhiro Otomo. One of Dark Horse's most beautiful and insightful books and collector's items ever.
I am a voracious academic, supporter, and collector of Asian production art reprints and knowledge about, and appreciation of, Asian pop culture. I read any book I can get my filthy little hands on, and study any wikipedia page that pops up on the subject. Lately I've been reading a lot of Wiki material on the French-Japanese connection, and the mutual respect and admiration the Japanese and French art scenes have for one another, Japanese and French artists have been collaborating quite a bit recently, and yet it isn't considered by the Japanese to be "Westernization" the way world manga from America is. I find this connection (that in a way almost seems like a pro-european double standard or bias in Asia) just fascinating. The French don't get half as much shit from the Japanese as Americans do for aping the Japanese style in other words. It's an interesting aspect of Europe, America, and Asia, to say the least. I keep asking myself, what can we (American artists and writers) learn from that kind of collaboration? Can American art be that successful internationally one day? Who knows?

Monday, September 5, 2011

Doctors Suck

Social Security, Psychiatry, Medical Doctors, and Health Care are so messed up. You have to pretend your crazy and disabled just to get a social security check. But I suppose some money is better than never getting paid anything because people refuse to hire anyone.

I kind of like getting $250 paychecks each month from the gov "for being a crazy loser". Dear mentally ill loser, here is your monthly paycheck for $250 you didn't have to work for which obviously proves you're a crazy loser. Sincerely, Social Security. It's been that way ever since Bush was in office.

LIving Around

There are really three places I've lived:

 
  • Ann Arbor Michigan, Washtenaw County
  • Central Florida
  • South Florida, "haunted" Sunrise Hall Living Area, Ft. Lauderdale (yes, I attended the Art Institute. That's why I lived there for a short amount of time)

Sunday, September 4, 2011

The Structuralist Academic Approach: Learning the Structure by Doing

To adjust to writing for TV animation, I teach myself to learn how to write and complete one experimental, free form 24 page script, which I’ve already done. Once you write 1 script, it tends to get easier to adapt to the format structure, and your career builds from there.

LIST!: Favorite Authors, Producers, Artists, Designers, Illustrators, and Storytellers to be Featured in a Coffee Table Art Book

Because I love coffee table art books

  • Juanjo Guarnido (Blacksad)
  • Todd McFarlane
  • Min-Woo Hyung
  • Akira Toriyama
  • Musashi Kishimoto
  • Tite Kubo
  • Jared Hodges
  • George Lucas
  • Lindsey Cibos
  • Kristy Lijewski
  • Yasuhiro Nightow
  • Brian Konietzko
  • Michael Dante Dimartino
  • Greg Capullo
  • Katsuhiro Otomo
  • Bruce Timm
  • Alex Grey
  • Production I.G.
  • Yoshiyuki Sadamoto
  • Yoshitoshi aBe
  • Moebius
  • Syd Mead
  • Paul Pope
  • Glen Murakami (Batman Animated)
  • Jhonen Vasquez
  • LeSean Thomas
  • Shinichiro Watanabe
  • Osamu Tezuka
  • Felipe Smith

Friday, September 2, 2011

[Sword] Design Secrets Revealed: How to Draw The Blade (With a Pen). The Design Pen Is As Mighty As the Sword

Ah yes. One of my favorite design topics. Swords. And even more specifically, not so much Chinese Swords or Barbarian Broadswords, but Samurai Swords. To be even more specific, Long thing blades. Perhaps even just one thin string of light on a page, lightsaber style.

Let me explain something about American animation, and how it differs from Japanese animation, or anime. Up until, say, the last five to seven years or so, the way Americans drew swords in comics also, but especially animation, were short and fat. Even Samurai Jack’s usage of sword design is questionable in this respect, as Jack’s sword is not entirely thin and long. It was longer and thinner than usual, and well done, well wielded by Jack in one sense, but it wasn’t until, say, around 2006 when Avatar the Last Airbender (with the Sokka kung fu sword master-apprentice themed episode "Sokka's Master"), the Boondocks Stinkmeaner Huey Freeman Samurai dream sequence, and a few years later especially with the light saber design in Star Wars the Clone Wars, and later, various others. And some might even say some of my own sword designs I used online with Mono Jubei, my own original character, who a lot of artists took inspiration from as well. That was not an intentionally or conscious decision on my part. I just tend to like drawing my blades really long and really straight and thin or slightly curved and thin. As far as I’m concerned, a blade can never be long and/or thin and/or straight enough (your welcome). Even when it’s a katana. It just looks cool. One of the things, the main elements that make sword anime so cool, that has ALWAYS made them cool, is the fact that the Japanese ARE observant enough to draw swords like they really look. The realist sword physics approach. I guess I just kind of picked up on that from watching samurai anime, sword comics like Blade of the Immortal, and sword anime, notably Rurouni Kenshin, Jubei Chan, KARAS, Samurai Champloo, and Blood: The Last Vampire, among others.

Yeah. Swords are cool. Lesson over. Any questions?

Things I No Good At...Ug. Me Caveman.

  • Food
  • Driving
  • Money
  • Dating
  • Sex
  • Sports
  • Fighting
  • Hygeine
  • Health
  • Social Interaction
  • Courage
  • Cleaning
  • Manliness
  • Socializing
  • Going Outside
  • Real, actual employment

That is kind of the price you pay for choosing to have a job where they don't force you to grow up...

That's what happens when you pursue a career in comics, webcomics, literature, anime, and animation. You stay a kid or child at heart...FOREVER!

You end up living in your parents house well past the age of 27 years old. But hey, YOU'RE the one who chose a career where you don't have to do any REAL work.

Well, actually, considering the state of the economy, NO ONE's working a job now and in a roundabout way, EVERYONE's living with their parents, so it kind of evens out. And everyone knows how much pimps and bitch magnet sex machines live at home with their parents at the toddler age of 27. Yeeeyeyuh!

10 Reasons the SoapBox Spotlight I Have Is Like Krack Kokane!

  1. EVERYONE LISTENS TO YOU
  2. EVERYONE LISTENS TO YOU
  3. EVERYONE LISTENS TO YOU
  4. EVERYONE LISTENS TO YOU
  5. EVERYONE LISTENS TO YOU
  6. EVERYONE LISTENS TO YOU
  7. EVERYONE LISTENS TO YOU
  8. EVERYONE LISTENS TO YOU
  9. EVERYONE LISTENS TO YOU
  10. EVERYONE LISTENS TO YOU
...Shit's addictive, man!

Thursday, September 1, 2011

SATURDAY OF NEXT WEEK: Manifesto History Quotes September 11th 2001 Edition, To be published, This Saturday, around Midnight

An American Writer and Author (myself) specifically addressing one of the biggest tragedies and unjustified attacks on America in the History of the World. A special quote of entries written by me in my Florida home, witnessing the events in the media and in my journal AS IT HAPPENED...in my journal, on the afternoon of September 11th, 2001 as I attended high school and my former day job at the local grocery story in my hometown.

...Don't Miss it. Me Writing about History in the making, to be Quoted: This Saturday after this first one at Midnight

September 11th, 2011 A.D.

BE THERE!

-J.M.-

2 Diffferent Series, 2 Different Directions...

So, the 2 series I'm developing are taking on two seperate styles.

PARALLAX: THE LEGEND OF MONO JUBEI is a mature audiences Samurai-action manga-comic series:

OLIVER-E: QUANTUM SORCERER, (which I just announced today on my website) is an all ages series that also has action but is more action-adventure all ages mecha and magic.

Groovy!

I like doing different strories in different visual styles.

HAPPY BIRTH-DAY!!!!!

HAPPY BIRTH-DAY JHONEN VASQUEZ!!!!!!